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Shloka 23

The Discourse of Rukmāṅgada

Prabodhinī Ekādaśī, Kārtika-vrata, and Satya-dharma

रमस्व कामं मयि सन्निविष्टसंपूर्णवांछा करभोरु हृष्टा । विमुक्तकार्यस्तव सुभ्रु हेतोर्नान्यास्ति नारी मम सौख्यहेतुः ॥ २३ ॥

ramasva kāmaṃ mayi sanniviṣṭasaṃpūrṇavāṃchā karabhoru hṛṣṭā | vimuktakāryastava subhru hetornānyāsti nārī mama saukhyahetuḥ || 23 ||

Ruh nun in Liebe bei mir—da du in mich eingegangen bist—deine Wünsche ganz erfüllt, o Frau mit schenkelgleich den Elefanten, voll Freude. Um deinetwillen, o Schönbrauige, habe ich alle anderen Aufgaben beiseitegelegt; keine andere Frau ist Ursache meines Glücks.

रमस्वenjoy; take delight
रमस्व:
क्रिया (Kriyā/Verb)
TypeVerb
Rootरम् (धातु)
Formलोट् (Imperative/आज्ञार्थ), मध्यमपुरुष (2nd person), एकवचन (singular), परस्मैपद
कामम्desire; love
कामम्:
कर्म (Karma/Object)
TypeNoun
Rootकाम (प्रातिपदिक)
Formपुंलिङ्ग (masculine), द्वितीया विभक्ति (Accusative/2nd), एकवचन (singular)
मयिin me
मयि:
अधिकरण (Adhikaraṇa/Location)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम (pronoun), सप्तमी विभक्ति (Locative/7th), एकवचन (singular)
सन्निविष्टentered; fixed (upon)
सन्निविष्ट:
विशेषण (Viśeṣaṇa/Qualifier)
TypeAdjective
Rootसम्-नि-विश् (धातु)
Formकृदन्त (past passive participle/क्त), पुंलिङ्ग (masculine), प्रथमा विभक्ति (Nominative/1st), एकवचन (singular); विशेषण
संपूर्णfulfilled; complete
संपूर्ण:
विशेषण (Viśeṣaṇa/Qualifier)
TypeAdjective
Rootसम्-पूर्ण (प्रातिपदिक)
Formविशेषण; स्त्रीलिङ्ग (feminine), प्रथमा विभक्ति (Nominative/1st), एकवचन (singular)
वाञ्छाdesire; wish
वाञ्छा:
कर्ता (Kartā/Subject)
TypeNoun
Rootवाञ्छा (प्रातिपदिक)
Formस्त्रीलिङ्ग (feminine), प्रथमा विभक्ति (Nominative/1st), एकवचन (singular)
करभ-ऊरुO one with thighs like an elephant’s trunk
करभ-ऊरु:
सम्बोधन (Sambodhana/Address)
TypeNoun
Rootकरभ (प्रातिपदिक) + ऊरु (प्रातिपदिक)
Formतत्पुरुष-समास (Tatpuruṣa; उपमानपूर्वपद), स्त्रीलिङ्ग (feminine), सम्बोधन (Vocative/संबोधन), एकवचन (singular)
हृष्टाdelighted
हृष्टा:
विशेषण (Viśeṣaṇa/Qualifier)
TypeAdjective
Rootहृष्ट (प्रातिपदिक)
Formविशेषण; स्त्रीलिङ्ग (feminine), प्रथमा विभक्ति (Nominative/1st), एकवचन (singular)
विमुक्त-कार्यःfreed from duties/obligations
विमुक्त-कार्यः:
विशेषण (Viśeṣaṇa/Qualifier)
TypeAdjective
Rootवि-मुक्त (प्रातिपदिक) + कार्य (प्रातिपदिक)
Formतत्पुरुष-समास; पुंलिङ्ग (masculine), प्रथमा विभक्ति (Nominative/1st), एकवचन (singular); विशेषण
तवyour
तव:
सम्बन्ध (Sambandha/Genitive relation)
TypeNoun
Rootयुष्मद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम (pronoun), षष्ठी विभक्ति (Genitive/6th), एकवचन (singular)
सुभ्रुO fair-browed one
सुभ्रु:
सम्बोधन (Sambodhana/Address)
TypeNoun
Rootसु (उपसर्ग/अव्यय) + भ्रू (प्रातिपदिक)
Formकर्मधारय-समास; स्त्रीलिङ्ग (feminine), सम्बोधन (Vocative), एकवचन (singular)
हेतोःfor the sake (of)
हेतोः:
प्रयोजन (Prayojana/Purpose)
TypeNoun
Rootहेतु (प्रातिपदिक)
Formपुंलिङ्ग (masculine), षष्ठी विभक्ति (Genitive/6th), एकवचन (singular); अर्थे ‘for the sake of’ (हेतोः)
not
:
निषेध (Niṣedha/Negation)
TypeIndeclinable
Rootन (अव्यय)
Formनिषेध-अव्यय (negative particle)
अन्याanother
अन्या:
कर्ता (Kartā/Subject)
TypeAdjective
Rootअन्य (प्रातिपदिक)
Formविशेषण; स्त्रीलिङ्ग (feminine), प्रथमा विभक्ति (Nominative/1st), एकवचन (singular)
अस्तिis
अस्ति:
क्रिया (Kriyā/Verb)
TypeVerb
Rootअस् (धातु)
Formलट् (Present/वर्तमान), प्रथमपुरुष (3rd person), एकवचन (singular), परस्मैपद
नारीwoman
नारी:
कर्ता (Kartā/Subject)
TypeNoun
Rootनारी (प्रातिपदिक)
Formस्त्रीलिङ्ग (feminine), प्रथमा विभक्ति (Nominative/1st), एकवचन (singular)
ममmy
मम:
सम्बन्ध (Sambandha/Genitive relation)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम (pronoun), षष्ठी विभक्ति (Genitive/6th), एकवचन (singular)
सौख्य-हेतुःcause of happiness
सौख्य-हेतुः:
कर्ता (Kartā/Subject)
TypeNoun
Rootसौख्य (प्रातिपदिक) + हेतु (प्रातिपदिक)
Formतत्पुरुष-समास; पुंलिङ्ग (masculine), प्रथमा विभक्ति (Nominative/1st), एकवचन (singular)

Narrative speaker (Suta-like Purana narrator); direct speech of a male lover/hero within the episode

Vrata: none

Primary Rasa: shringara

Secondary Rasa: bhakti

FAQs

The verse portrays intense attachment and exclusivity in worldly love (kāma). In a Purāṇic setting, such lines typically function as narrative contrast—showing how desire binds the mind—so the listener can later appreciate the higher, steadier fulfillment taught through dharma and devotion.

Indirectly, by contrast: the language of “entering into me” and “no other cause of happiness” resembles the exclusivity idealized in bhakti, but here it is applied to human romance. Purāṇas often redirect this emotional intensity toward Viṣṇu-bhakti as the purified, enduring form of single-pointed love.

No explicit Vedāṅga instruction appears in this verse. Its practical takeaway is interpretive: recognize kāma-driven speech and intentions in narratives, and evaluate them against dharma—an approach often used in Purāṇic storytelling to guide conduct.