HomeMatsya PuranaAdh. 118Shloka 39
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Matsya Purana — Description of Atri’s Hermitage: Sacred Grove Planning, Shloka 39

शूकपत्त्रनिभैश्चान्यैः स्थलपत्त्रैश्च भागशः पञ्चवर्णैः समाकीर्णैर् बहुवर्णैस्तथैव च //

śūkapattranibhaiścānyaiḥ sthalapattraiśca bhāgaśaḥ pañcavarṇaiḥ samākīrṇair bahuvarṇaistathaiva ca //

Und in anderen Bereichen mit blattartigen Motiven, die Ähren gleichen, sowie mit bodennahen Blattmustern, Abschnitt für Abschnitt gegliedert—durchsetzt mit fünf Farben und ebenso in vielen Farben ausgeführt.

śūkaan ear of grain
śūka:
pattraleaf/petal/foliage motif
pattra:
nibhaiḥresembling/like
nibhaiḥ:
caand
ca:
anyaiḥwith other (motifs)
anyaiḥ:
sthalaground/surface/plane
sthala:
pattraiḥwith leaf designs
pattraiḥ:
caand
ca:
bhāgaśaḥby portions/section-wise
bhāgaśaḥ:
pañca-varṇaiḥwith five colors
pañca-varṇaiḥ:
samākīrṇaiḥmixed/interspersed
samākīrṇaiḥ:
bahu-varṇaiḥwith many colors/variegated
bahu-varṇaiḥ:
tathā evalikewise/also
tathā eva:
caand
ca:
Lord Matsya (teaching Vaivasvata Manu)
MatsyaManu
Vastu ShastraTemple ornamentationIconographyArchitectural color schemesPrasada-lakshana

FAQs

This verse does not describe Pralaya; it focuses on Vastu/architectural aesthetics—how surfaces are decorated with leaf and grain-ear-like motifs using five and multiple colors.

It supports the duty of patrons (kings/householders) to sponsor and maintain sacred buildings properly—ensuring orderly, section-wise decoration and harmonious color planning as part of dharmic temple construction.

It prescribes decorative schemes for temple or sacred structures: foliage motifs (pattra) arranged by sections (bhāgaśaḥ) and executed in pañcavarṇa (five-color) and bahuvarṇa (multicolor) patterns—key for traditional Vastu-aligned visual sanctity.