Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
मया नृशंस्यं कर्तव्यं नोपकार्यपकारि च ।
या मदर्थे 'त्यजत प्राणांस्तदर्थे 'ल्पमिदं मम ॥
mayā nṛśaṃsyaṃ kartavyaṃ nopakāryapakāri ca / yā madarthe 'tyajat prāṇāṃs tadarthe 'lpam idaṃ mama
Ich muss sogar eine harte Tat vollbringen, die weder „dem Helfenden helfen“ noch „dem Nicht-Schädigenden schaden“ heißt; sie, die um meinetwillen ihr Leben hingab—dagegen ist das, was ich gebe, nur gering.
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The verse frames self-sacrifice as repayment of an existential debt: when another has died for you, your own life appears a small offering. Yet it also admits the act may be ‘nṛśaṃsa’—suggesting awareness that dramatic reciprocity can violate other dharmas.
Didactic narrative (vaṃśānucarita-type). The purāṇic method is to explore dharma through emotionally charged dilemmas rather than abstract rule.
The ‘debt’ is not only social but karmic: the psyche seeks equilibrium. The verse exposes the bind where egoic honor masquerades as virtue, requiring discernment (viveka) to separate dharma from compulsion.