Previous Verse
Next Verse

Shloka 25

Kapālamocana-tīrtha (Auśanasa) and Balarāma’s Sarasvatī Pilgrimage

पूज्यमाना मुनिगणैर्वल्कलाजिनसंवृतै: । मनोरमेति विख्याता सा हि तैर्मनसा कृता,वहाँ वल्कल और मृगचर्मधारी मुनियोंसे पृूजित होनेवाली सरस्वतीका नाम हुआ मनोरमा; क्योंकि उन्होंने मनके द्वारा उनका चिन्तन किया था

pūjyamānā munigaṇair valkalājinasaṃvṛtaiḥ | manorāmeti vikhyātā sā hi tair manasā kṛtā ||

Von Scharen von Weisen geehrt, die in Rindenkleider und Hirschfelle gehüllt waren, wurde die Flussgöttin Sarasvatī unter dem Namen „Manoramā“ berühmt; denn jene Seher hatten diese Benennung durch ihre innere Betrachtung im Geist geformt.

पूज्यमानाbeing worshipped/honoured
पूज्यमाना:
Karta
TypeAdjective
Rootपूज्य (√पूज्)
FormFeminine, Nominative, Singular, Passive, शानच् (present passive participle)
मुनि-गणैःby groups of sages
मुनि-गणैः:
Karana
TypeNoun
Rootमुनिगण
FormMasculine, Instrumental, Plural
वल्कल-अजिन-संवृतैःclad in bark-garments and deer-skins
वल्कल-अजिन-संवृतैः:
Karana
TypeAdjective
Rootवल्कलाजिनसंवृत
FormMasculine, Instrumental, Plural
मनोरमाManoramā (name)
मनोरमा:
Karta
TypeNoun
Rootमनोरमा
FormFeminine, Nominative, Singular
इतिthus
इति:
TypeIndeclinable
Rootइति
विख्याताbecame renowned/was known
विख्याता:
Karta
TypeAdjective
Rootविख्यात (√ख्या)
FormFeminine, Nominative, Singular, क्त (past passive participle)
साshe/that (river/goddess)
सा:
Karta
TypePronoun
Rootतद्
FormFeminine, Nominative, Singular
हिindeed/because
हि:
TypeIndeclinable
Rootहि
तैःby them
तैः:
Karana
TypePronoun
Rootतद्
FormMasculine, Instrumental, Plural
मनसाby the mind
मनसा:
Karana
TypeNoun
Rootमनस्
FormNeuter, Instrumental, Singular
कृताmade/formed (mentally conceived)
कृता:
Karta
TypeAdjective
Rootकृत (√कृ)
FormFeminine, Nominative, Singular, क्त (past passive participle)

वैशम्पायन उवाच

V
Vaiśampāyana
M
munigaṇa (assemblies of sages)
S
Sarasvatī
V
valkala (bark-garment)
Ā
ājina (deer-skin)
M
Manoramā (name/epithet)

Educational Q&A

The verse highlights that sincere reverence and inner contemplation (manasā) by disciplined sages can establish sacred renown—here, Sarasvatī’s epithet “Manoramā”—showing the ethical primacy of inward devotion over mere external ritual.

Vaiśampāyana narrates that ascetic sages, wearing bark and deer-skins, honour Sarasvatī; through their mental contemplation they give rise to her being known by the name “Manoramā.”