Shloka 98

गजा गजानतिक्रम्य निर्मनुष्या हया हयान्‌

gajā gajān atikramya nirmanuṣyā hayā hayān

Sañjaya sprach: Die Elefanten drängten an anderen Elefanten vorbei, und die Pferde stürmten über andere Pferde hinaus, immer weiter—so dass die Szene wie menschenleer erschien, als wäre die menschliche Gegenwart im Getrampel und in der Verwirrung des nächtlichen Gemetzels verschwunden.

गजाःelephants
गजाः:
Karta
TypeNoun
Rootगज
FormMasculine, Nominative, Plural
गजान्elephants
गजान्:
Karma
TypeNoun
Rootगज
FormMasculine, Accusative, Plural
अतिक्रम्यhaving overstepped / having passed beyond
अतिक्रम्य:
TypeVerb
Rootअति-क्रम्
Formल्यप् (absolutive/gerund), Parasmaipada (usage), Non-finite
निर्मनुष्याःdevoid of men (riderless/without people)
निर्मनुष्याः:
Karta
TypeAdjective
Rootनिर्मनुष्य
FormMasculine, Nominative, Plural
हयाःhorses
हयाः:
Karta
TypeNoun
Rootहय
FormMasculine, Nominative, Plural
हयान्horses
हयान्:
Karma
TypeNoun
Rootहय
FormMasculine, Accusative, Plural

संजय उवाच

संजय (Sañjaya)
गज (elephants)
हय (horses)

Educational Q&A

The verse underscores the dehumanizing momentum of war: once violence erupts, even mighty war-animals move in blind panic, and human agency seems to disappear. Ethically, it hints at how adharma in battle produces chaos where life is trampled without discernment.

Sañjaya describes the battlefield scene in the Sauptika episode: elephants and horses, in confusion and terror, rush past one another. The camp/battlefield appears ‘without men’—suggesting widespread death, flight, or the inability to distinguish people amid the tumult.