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Shloka 2

भीष्मपर्व — अध्याय 18: सेनानिनादः, ध्वज-दीप्तिः, भीष्मरक्षण-व्यवस्था च

Battle Muster: Soundscape, Banners, and the Protection of Bhīṣma

शड्खदुन्दुभिघोषैश्न वारणानां च बूंहितै: । नेमिघोषै रथानां च दीर्यतीव वसुंधरा,शंख और दुन्दुभियोंके घोष; गजराजोंकी गर्जना तथा रथोंके पहियोंकी घरघराहटसे सारी पृथ्वी विदीर्ण-सी हो रही थी

śaṅkha-dundubhi-ghoṣaiś ca vāraṇānāṃ ca bṛṃhitaiḥ | nemi-ghoṣai rathānāṃ ca dīryatīva vasundharā ||

Sañjaya sprach: Beim Dröhnen der Muschelhörner und Kesseltrommeln, beim Trompeten der mächtigen Elefanten und beim mahlenden Grollen der Wagenräder schien die Erde selbst zu bersten. Der Vers steigert die moralische Schwere der nahenden Schlacht: Die Zeichen königlicher Pflicht und kriegerischer Ordnung werden zum Donner gemeinsamer Entschlossenheit—und zugleich zum Vorboten des ungeheuren menschlichen Preises, den ein Dharma-Krieg fordert.

शङ्खदुन्दुभिघोषैःby the sounds of conches and drums
शङ्खदुन्दुभिघोषैः:
Karana
TypeNoun
Rootशङ्ख-दुन्दुभि-घोष
FormMasculine, Instrumental, Plural
and
:
TypeIndeclinable
Root
वारणानाम्of elephants
वारणानाम्:
TypeNoun
Rootवारण
FormMasculine, Genitive, Plural
and
:
TypeIndeclinable
Root
बृंहितैःby the trumpeting/roaring
बृंहितैः:
Karana
TypeNoun
Rootबृंहित
FormNeuter, Instrumental, Plural
नेमिघोषैःby the rumbling sound of wheel-rims
नेमिघोषैः:
Karana
TypeNoun
Rootनेमि-घोष
FormMasculine, Instrumental, Plural
रथानाम्of chariots
रथानाम्:
TypeNoun
Rootरथ
FormMasculine, Genitive, Plural
and
:
TypeIndeclinable
Root
दीर्यतेis being torn/split
दीर्यते:
TypeVerb
Rootदॄ (दीर्यते)
FormPresent, 3rd, Singular, Atmanepada, Passive/Intransitive
इवas if
इव:
TypeIndeclinable
Rootइव
वसुन्धराthe earth
वसुन्धरा:
Karta
TypeNoun
Rootवसुन्धरा
FormFeminine, Nominative, Singular

संजय उवाच

S
Sañjaya
C
conches (śaṅkha)
K
kettledrums (dundubhi)
W
war-elephants (vāraṇa)
C
chariots (ratha)
E
earth (vasundharā)

Educational Q&A

The verse does not give a direct moral injunction; it frames the ethical weight of a dharma-conflict by portraying how organized martial forces—signals, drums, elephants, chariots—create an overwhelming din, suggesting that even a ‘righteous’ war shakes the world and demands sober responsibility.

Sañjaya describes the battlefield as the armies assemble and advance: conches and drums are sounded, elephants trumpet, chariot wheels rumble, and the combined noise is so immense that the earth seems to split.