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Shloka 13

Adhyāya 122 — Śruta-vṛtta-yukta Brāhmaṇa and the Ethics of Dāna

Maitreya–Vyāsa Saṃvāda

वहन्ति मामतिबला: कुञ्जरा हेममालिन: । स्यन्दनेषु च काम्बोजा युक्ता: परमवाजिन:

vahanti mām atibalāḥ kuñjarā hemamālinaḥ | syandaneṣu ca kāmbojā yuktāḥ paramavājinaḥ ||

Das Insekt sprach: „Überaus mächtige Elefanten, mit goldenen Girlanden geschmückt, tragen mich dahin; und an meine Wagen sind Kāmboja-Pferde der edelsten Zucht angespannt, von höchster Schnelligkeit.“

वहन्तिcarry, bear
वहन्ति:
TypeVerb
Rootवह्
FormLat (Present), 3, Plural, Parasmaipada
माम्me
माम्:
Karma
TypeNoun
Rootअस्मद्
FormCommon, Accusative, Singular
अतिबलाःvery strong
अतिबलाः:
Karta
TypeAdjective
Rootअतिबल
FormMasculine, Nominative, Plural
कुञ्जराःelephants
कुञ्जराः:
Karta
TypeNoun
Rootकुञ्जर
FormMasculine, Nominative, Plural
हेममालिनःwearing garlands of gold
हेममालिनः:
Karta
TypeAdjective
Rootहेममालिन्
FormMasculine, Nominative, Plural
स्यन्दनेषुin chariots
स्यन्दनेषु:
Adhikarana
TypeNoun
Rootस्यन्दन
FormMasculine, Locative, Plural
and
:
TypeIndeclinable
Root
काम्बोजाःKambojas (Kamboja horses/men)
काम्बोजाः:
Karta
TypeNoun
Rootकाम्बोज
FormMasculine, Nominative, Plural
युक्ताःyoked, harnessed
युक्ताः:
TypeAdjective
Rootयुज्
FormPast Passive Participle (kta), Masculine, Nominative, Plural
परमवाजिनःhaving excellent speed / best steeds
परमवाजिनः:
Karta
TypeAdjective
Rootपरमवाजिन्
FormMasculine, Nominative, Plural

कीट उवाच

K
kīṭa (the insect, speaker)
K
kuñjara (elephants)
H
hema-mālā (golden garlands)
S
syandana (chariot)
K
kāmboja (Kāmboja horses/region)
V
vājī (horse)

Educational Q&A

The verse underscores how wealth, power, and prestigious possessions (elephants, fine horses, chariots) can inflate ego and obscure discernment; ethically, it invites reflection on non-attachment and humility, since such splendor is not a reliable measure of virtue or lasting security.

The speaker, identified as ‘the insect’ (kīṭa), boasts of being carried by powerful, gold-adorned elephants and driven in chariots drawn by excellent Kāmboja horses—depicting a scene of royal magnificence used to characterize prideful self-display.