Shloka 12
जतुगृहदाहः — The Burning of the Lac House and the Pāṇḍavas’ Concealed Escape
ततो द्रोणाभ्यनुज्ञातः कर्ण: प्रियरण: सदा । यत् कृतं तत्र पार्थेन तच्चकार महाबल:,तब सदा युद्धसे ही प्रेम करनेवाले महाबली कर्णने द्रोणाचार्यकी आज्ञा लेकर, अर्जुनने वहाँ जो-जो अस्त्र-कौशल प्रकट किया था, वह सब कर दिखाया
tato droṇābhyanujñātaḥ karṇaḥ priyaraṇaḥ sadā | yat kṛtaṃ tatra pārthena taccakāra mahābalaḥ ||
Daraufhin zeigte Karṇa—der stets den Kampf liebte—nachdem er Droṇas Erlaubnis erlangt hatte, ebendieselben Waffenkünste und Taten, die Pārtha (Arjuna) dort vorgeführt hatte.
वैशम्पायन उवाच
Educational Q&A
Excellence can be replicated through determination and opportunity, but when driven by rivalry and the hunger for status, it can intensify ethical conflict—raising questions about how strength and skill should be directed within dharma.
After Arjuna demonstrates his prowess, Karṇa—having received Droṇa’s consent—performs the same martial displays, signaling his entry as a comparable warrior and sharpening the competitive tension between them.