फुल्लातिमुक्तकलतागृहनीतसिद्धसिद्धाङ्गनाकनकनूपुररावरम्यम् /* रम्यं प्रियङ्गुतरुमञ्जरिसक्तभृङ्गं भृङ्गावलीकवलिताम्रकदम्बपुष्पम्
phullātimuktakalatāgṛhanītasiddhasiddhāṅganākanakanūpurarāvaramyam /* ramyaṃ priyaṅgutarumañjarisaktabhṛṅgaṃ bhṛṅgāvalīkavalitāmrakadambapuṣpam
Jener glückverheißende Hain ist lieblich durch das Klingen goldener Fußspangen der Siddha-Jungfrauen, die sich zwischen Lauben bewegen, umwunden von der blühenden Atimukta-Ranke; anmutig durch Bienen, die an den Büscheln der Priyaṅgu-Blüten haften, und durch Schwärme, die sich um Mango- und Kadamba-Blüten drängen—ein Ort, würdig der Verehrung Patis (Śiva) und zur Erhebung des paśu, der durch pāśa gebundenen Seele.
Suta Goswami (narrating to the sages of Naimisharanya)
It frames the sacred atmosphere—pure, vibrant, and Siddha-frequented—as an outer support for inner concentration, making the place worthy for Liṅga-pūjā where the paśu turns toward Pati through devotion and ritual.
By depicting a realm naturally ordered toward auspiciousness and spiritual delight, it implies Śiva-tattva as the Pati whose presence harmonizes beings and nature, drawing even Siddhas into a state of reverent joy conducive to liberation.
The verse indirectly highlights place-sanctification and dhyāna-supports for Pāśupata-oriented practice—choosing a pure, sattvic setting that steadies the mind for pūjā, japa, and meditative absorption on the Liṅga.