विनायकोत्पत्तिः / ताण्डव-प्रसङ्गः (दारुक-वधः, काली-उत्पत्तिः, क्षेत्रपालोत्पत्तिः)
एवं संक्षेपतः प्रोक्तं ताण्डवं शूलिनः प्रभोः योगानन्देन च विभोस् ताण्डवं चेति चापरे
evaṃ saṃkṣepataḥ proktaṃ tāṇḍavaṃ śūlinaḥ prabhoḥ yogānandena ca vibhos tāṇḍavaṃ ceti cāpare
So ist, kurz gefasst, der Tāṇḍava des Herrn, der den Dreizack trägt, dargelegt worden. Manche jedoch nennen eben diesen Tanz des allgegenwärtigen Herrn auch den „Tāṇḍava der yogischen Wonne (Yogānanda)“.
Suta Goswami
It frames Shiva’s Tāṇḍava as a named, contemplatable manifestation of the Lord (Pati), helping the devotee connect outer worship of the Linga with inner meditation on Shiva’s dynamic, world-sustaining power.
Shiva is presented as Śūlin (sovereign Lord) and Vibhu (all-pervading), whose dance is not merely movement but the expression of yogic ānanda—transcendent bliss that underlies creation, maintenance, and dissolution.
It highlights yogic contemplation of Shiva’s blissful Tāṇḍava—an inward Pāśupata-oriented approach where the pashu (soul) loosens pāśa (bondage) by meditating on the Lord’s all-pervading, bliss-nature.