Hiraṇyakaśipu’s Wrath, the Assault on Vedic Culture, and the Boy-Yamarāja’s Teaching on the Soul
सासज्जत सिचस्तन्त्र्यां महिष्य: कालयन्त्रिता । कुलिङ्गस्तां तथापन्नां निरीक्ष्य भृशदु:खित: । स्नेहादकल्प: कृपण: कृपणां पर्यदेवयत् ॥ ५२ ॥
sāsajjata sicas tantryāṁ mahiṣyaḥ kāla-yantritā kuliṅgas tāṁ tathāpannāṁ nirīkṣya bhṛśa-duḥkhitaḥ snehād akalpaḥ kṛpaṇaḥ kṛpaṇāṁ paryadevayat
Sie verstrickte sich in der Schnur des Netzes, als wäre sie vom Werkzeug der Zeit und des Geschicks gebunden. O Königinnen Suyajñas, als der Kuliṅga-Männchen seine Gattin in größter Gefahr sah, wurde er von tiefem Schmerz ergriffen; aus Zuneigung, unfähig sie zu befreien, begann der arme Vogel um seine arme Frau zu klagen.
This verse shows that intense attachment makes one helpless in crisis; the kuliṅga bird, overwhelmed by affection, can only lament when his mate is trapped—illustrating how material sneha leads to grief.
Kāla is presented as the unseen force that drives events and traps living beings in suffering; the birds’ capture is not random but under the governance of time and destiny.
It advises cultivating detachment and devotion so that when inevitable changes come (loss, separation, reversal), one responds with spiritual steadiness rather than helpless lamentation.