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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 7

Abhiṣeka-Ādi-Kathana

Consecratory Bathing and Related Rites

शिष्यं निवेश्य पूर्वास्यं सकलीकृत्य पूजयेत् काञ्जिकौदनमृद्भस्मदूर्वागोमयगोलकैः

śiṣyaṃ niveśya pūrvāsyaṃ sakalīkṛtya pūjayet kāñjikaudanamṛdbhasmadūrvāgomayagolakaiḥ

Nachdem man den Schüler nach Osten gewandt gesetzt und das vollständige (rituelle) Arrangement in der rechten Ordnung hergestellt hat, soll man die Verehrung vollziehen mit kāñjikā (vergorener saurer Grütze), gekochtem Reis, Ton, Asche, dūrvā-Gras und Kugeln aus Kuhdung.

शिष्यम्disciple
शिष्यम्:
Karma (कर्म)
TypeNoun
Rootशिष्य (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन
निवेश्यhaving seated/placed
निवेश्य:
Pūrvakāla-kriyā (पूर्वकालक्रिया)
TypeIndeclinable
Rootनि-विश् (धातु) → निवेश्य (कृदन्त)
Formक्त्वा-प्रत्ययान्त अव्यय (gerund/absolutive)
पूर्व-आस्यम्east-facing
पूर्व-आस्यम्:
Karma (कर्म)
TypeAdjective
Rootपूर्व (प्रातिपदिक) + आस्य (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन; शिष्यम् इति विशेषणम्; कर्मधारयः = 'east-facing' (lit. having the front to the east)
सकलीकृत्यhaving made (it) complete/whole
सकलीकृत्य:
Pūrvakāla-kriyā (पूर्वकालक्रिया)
TypeIndeclinable
Rootस-कल (प्रातिपदिक) + कृ (धातु) → सकलीकृत्य (कृदन्त)
Formक्त्वा-प्रत्ययान्त अव्यय (gerund); नामधातु-भावः 'to make complete/whole'
पूजयेत्should worship
पूजयेत्:
Kriyā (क्रिया)
TypeVerb
Rootपूज् (धातु)
Formविधिलिङ् (Optative), परस्मैपदम्, प्रथमपुरुष, एकवचन
काञ्जिक-ओदन-मृत्-भस्म-दूर्वा-गोमय-गोलकैःwith sour gruel, rice, clay, ash, dūrvā grass, cow-dung, and balls/pellets
काञ्जिक-ओदन-मृत्-भस्म-दूर्वा-गोमय-गोलकैः:
Karaṇa (करण)
TypeNoun
Rootकाञ्जिक (प्रातिपदिक) + ओदन (प्रातिपदिक) + मृत् (प्रातिपदिक) + भस्म (प्रातिपदिक) + दूर्वा (प्रातिपदिक) + गोमय (प्रातिपदिक) + गोलक (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (instrumental), बहुवचन; समाहार/इतरेतर-द्वन्द्वसमासः (list-compound)

Lord Agni (narrating to sage Vasiṣṭha, typical Agni Purāṇa dialogue frame)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Dharmashastra","practical_application":"Dīkṣā/pūjā handling of a disciple: seating orientation, completing the ritual set (sakalīkaraṇa), and using specified substances as upacāra/dravya in the rite.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Śiṣya-upaveśana and sakalīkaraṇa with ritual dravyas (kāñjika, odana, mṛd, bhasma, dūrvā, gomaya-golaka)","lookup_keywords":["dīkṣā","śiṣya east-facing","sakalīkaraṇa","kāñjika","bhasma dūrvā gomaya"],"quick_summary":"Seat the disciple facing east, complete the rite’s full arrangement, and perform worship using a defined set of substances including sour gruel, rice, clay, ash, dūrvā, and cow-dung balls. The list functions as a practical inventory for the ceremony."}

Concept: Discipline and purity through prescribed conduct (ācāra), orientation (dik), and sanctioned substances (dravya) in initiation worship.

Application: For dīkṣā/pūjā, prepare the listed dravyas beforehand, seat the initiate eastward, and follow the complete sequence to maintain ritual correctness.

Khanda Section: Puja-vidhi (Diksha & Ritual Procedures / Agneya-vidya)

Primary Rasa: śānta

Visual Art Cues: {"scene_description":"A disciple seated facing east in a ritual pavilion; the officiant arranges a complete set of offerings: bowl of kāñjika, plate of cooked rice, clay and ash, dūrvā grass, and round cow-dung balls; worship gestures underway.","kerala_mural_prompt":"Kerala mural, initiation scene with disciple seated eastward, priest with sacred thread performing pūjā, offerings laid in neat rows (kāñjika pot, odana, mṛd, bhasma, dūrvā, gomaya-golaka), warm temple interior with lamps","tanjore_prompt":"Tanjore, ceremonial dīkṣā tableau with gold accents on vessels, disciple seated respectfully, offerings prominently displayed with rich color blocks, ornate borders and halo-like emphasis on the sacred act","mysore_prompt":"Mysore style, clear instructional layout: east direction indicated, disciple posture shown, labeled offering items arranged systematically, priest performing worship, soft shading and precision","mughal_miniature_prompt":"Mughal miniature, detailed courtly pavilion adapted to ascetic rite, disciple seated to the right facing east, officiant and assistants, meticulously painted bowls and grasses, patterned carpet, fine border"}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Shree","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: पूर्वास्यं = पूर्व + आस्यम्; काञ्जिकौदनमृद्भस्मदूर्वागोमयगोलकैः = काञ्जिक-ओदन-मृत्-भस्म-दूर्वा-गोमय-गोलकैः; मृत् + भस्म → मृद्भस्म (t → d before bh).

Related Themes: Agni Purana 90 (dīkṣā and pūjā dravya lists; agneya-vidyā context)

A
Agni Purana
Ś
śiṣya (disciple)
D
dūrvā
G
gomaya
B
bhasma

FAQs

It gives a procedural rule for śiṣya-praveśa/dīkṣā-style ritual handling: seat the disciple east-facing and perform pūjā using specific purificatory/auspicious substances—kāñjika, cooked rice, clay, ash, dūrvā grass, and cow-dung balls.

Beyond mythology, it preserves precise ritual protocol and material culture (what items are used, how the participant is oriented, and how the rite is ‘completed’), illustrating the text’s manual-like coverage of pūjā-vidhi alongside its many other disciplines.

East-facing orientation and the use of bhasma, dūrvā, earth, and gomaya emphasize śuddhi (purification) and maṅgala (auspiciousness), aiming to remove ritual impurity and establish the disciple in a sanctified state for subsequent rites.