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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 41

Chapter 78 — पवित्रारोहणकथनं

Pavitrārohaṇa: Installing the Sanctifying Thread/Garland

पञ्चगव्यं पलाशादिपुटकं वै समन्ततः ऐशान्यां कुसुमं दद्यादाग्नेय्यां दिशि रोचनां

pañcagavyaṃ palāśādipuṭakaṃ vai samantataḥ aiśānyāṃ kusumaṃ dadyādāgneyyāṃ diśi rocanāṃ

Man soll pañcagavya und ein puṭaka (ein kleines Päckchen/Gefäß aus palāśa und ähnlichen Stoffen) ringsum anordnen; in der Richtung Īśāna (Nordosten) legt man Blumen nieder, und in der Richtung Āgneya (Südosten) legt man rocanā (gelbes Pigment) nieder.

pañcagavyamfivefold cow-products (pañcagavya)
pañcagavyam:
Karma (कर्म)
TypeNoun
Rootpañca-gavya (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
palāśādi-puṭakama packet/container of palāśa etc.
palāśādi-puṭakam:
Karma (कर्म)
TypeNoun
Rootpalāśa-ādi-puṭaka (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
vaiindeed
vai:
Sambandha/Emphasis (सम्बन्ध/निपात)
TypeIndeclinable
Rootvai (अव्यय)
FormParticle (निपात), emphatic
samantataḥon all sides / all around
samantataḥ:
Adhikaraṇa (अधिकरण)
TypeIndeclinable
Rootsamantatas (अव्यय)
FormAdverb (क्रियाविशेषण)
aiśānyāmin the north-east (direction)
aiśānyām:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootaiśānī (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Locative (7th/सप्तमी), Singular (एकवचन)
kusumamflower
kusumam:
Karma (कर्म)
TypeNoun
Rootkusuma (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
dadyātshould give/offer
dadyāt:
Kriyā (क्रिया)
TypeVerb
Rootdā (धा-दाने धातु)
FormOptative (विधिलिङ्), 3rd Person (प्रथमपुरुष), Singular (एकवचन), Parasmaipada (परस्मैपद)
āgneyyāmin the south-east (Agni’s) direction
āgneyyām:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootāgneyī (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Locative (7th/सप्तमी), Singular (एकवचन)
diśiin the direction
diśi:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootdiś (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Locative (7th/सप्तमी), Singular (एकवचन)
rocanāmyellow pigment (rocana)
rocanām:
Karma (कर्म)
TypeNoun
Rootrocanā (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)

Lord Agni (narrating to Sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Vrata","secondary_vidya":"Mantra","practical_application":"Dik-vinyasa (directional placement) of purification substances and auspicious items during pūjā/śuddhi to stabilize the ritual field and align offerings with dikpāla/īśāna-āgneya energies.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Dik-vinyāsa of pañcagavya, palāśa-puṭaka, puṣpa and rocanā","lookup_keywords":["pañcagavya","palāśa puṭaka","īśāna dik","āgneya dik","rocanā"],"quick_summary":"Arrange pañcagavya and a palāśa-made packet around the ritual space; place flowers in the northeast and yellow pigment (rocanā) in the southeast as part of directional purification and auspicious marking."}

Concept: Ritual order (krama) and dik-sambandha: spatial discipline as a means to mental and cosmic alignment.

Application: Use consistent directional placement to reduce ritual error (doṣa) and to maintain a stable, repeatable pūjā protocol.

Khanda Section: Puja-vidhi (Ritual Procedures for Purification and Directional Offerings)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A ritual platform with pañcagavya vessels arranged around; a palāśa-leaf packet placed circumferentially; flowers set in the northeast corner and a small bowl of yellow rocanā pigment set in the southeast.","kerala_mural_prompt":"Kerala temple mural style, clean geometric mandala-like ritual layout, priest arranging pañcagavya pots and a palāśa-leaf puṭaka around a square altar, flowers highlighted in northeast, yellow rocanā bowl in southeast, earthy reds and greens, flat iconic composition","tanjore_prompt":"Tanjore painting, gold-leaf accents on ritual vessels, ornate pūjā maṇḍapa, pañcagavya containers symmetrically placed, bright flower cluster in northeast, luminous yellow rocanā in southeast, rich maroons and greens, devotional still-life emphasis","mysore_prompt":"Mysore painting, instructional diagram feel with labeled directions (Īśāna/Āgneya), delicate linework, priest’s hands placing flowers and rocanā, soft pastel palette, clear spatial cues","mughal_miniature_prompt":"Mughal miniature, top-down courtyard ritual scene, fine detailing of small vessels and leaf packet, precise directional corners, subtle shading, attendants holding flowers and pigment, architectural border framing"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Bhairav","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: dadyādāgneyyām = dadyāt + āgneyyām (final -t before vowel); no other mandatory sandhi splits.

Related Themes: Agni Purana 78 (Pūjā-vidhi: dik-vinyāsa and upacāra-krama); Agni Purana sections on pañcagavya-śuddhi and homa-dravya-vinyāsa (within Pūjā-vidhi corpus)

P
Pañcagavya
P
Palāśa (Butea monosperma)
Ī
Īśāna direction (Northeast)
Ā
Āgneya direction (Southeast)
R
Rocanā

FAQs

It teaches a precise puja-vidhi: arranging pañcagavya and a palāśa-based ritual packet around the ritual space, then placing flowers in the northeast (Īśāna) and rocanā (yellow pigment) in the southeast (Āgneya) as direction-specific ritual placements.

It preserves procedural, almost manual-like instructions—materials, spatial arrangement, and direction-based ritual logic—showing the Agni Purana’s coverage of practical liturgy alongside theology, making it a compendium of applied religious technology.

Pañcagavya is classically used for śuddhi (purification) and ritual fitness; placing auspicious substances by prescribed directions is intended to harmonize the rite with divine quarters (Īśāna/Āgneya), supporting purity, protection, and the successful fruition (siddhi) of the ritual act.