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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 28

Chapter 72 — स्नानविशेषादिकथनम्

Special Rules of Bathing, Mantra-Purification, and Sandhyā

तार्क्ष्यपद्मासनां ध्यायेन्मध्याह्ने वैष्णवीं सितां शङ्खचक्रधरां वामे दक्षिणे सगदाभयं

tārkṣyapadmāsanāṃ dhyāyenmadhyāhne vaiṣṇavīṃ sitāṃ śaṅkhacakradharāṃ vāme dakṣiṇe sagadābhayaṃ

Zur Mittagszeit soll man die weiß strahlende Vaiṣṇavī meditieren, die auf Garuḍa (tārkṣya) und auf dem Lotossitz sitzt; in der linken Hand trägt sie Muschel (śaṅkha) und Diskus (cakra), in der rechten hält sie die Keule (gadā) und zeigt die abhayā-Geste (Furchtlosigkeit).

tārkṣya-padmāsanāmseated on a Garuḍa-lotus seat
tārkṣya-padmāsanām:
Karma (कर्म/Object)
TypeAdjective
Roottārkṣya + padma + āsana (प्रातिपदिक)
FormFeminine, Accusative (2nd/द्वितीया), Singular; समासः तत्पुरुषः
dhyāyetshould meditate on
dhyāyet:
Kriyā (क्रिया/Action)
TypeVerb
Rootdhyai (धातु)
FormVidhi-liṅ (विधिलिङ्/Optative), Parasmaipada, 3rd Person, Singular
madhyāhneat midday
madhyāhne:
Adhikaraṇa (अधिकरण/Time)
TypeNoun
Rootmadhyāhna (प्रातिपदिक)
FormMasculine, Locative (7th/सप्तमी), Singular
vaiṣṇavīmVaiṣṇavī (goddess/form)
vaiṣṇavīm:
Karma (कर्म/Object)
TypeNoun
Rootvaiṣṇavī (प्रातिपदिक)
FormFeminine, Accusative, Singular
sitāmwhite
sitām:
Karma (कर्म/Object)
TypeAdjective
Rootsita (प्रातिपदिक)
FormFeminine, Accusative, Singular
śaṅkha-cakra-dharāmbearing conch and discus
śaṅkha-cakra-dharām:
Karma (कर्म/Object)
TypeAdjective
Rootśaṅkha + cakra + dhara (प्रातिपदिक)
FormFeminine, Accusative, Singular; समासः तत्पुरुषः (śaṅkhaṃ cakraṃ ca dharati)
vāmeon the left
vāme:
Adhikaraṇa (अधिकरण/Location)
TypeNoun
Rootvāma (प्रातिपदिक)
FormMasculine/Neuter, Locative (7th/सप्तमी), Singular; adverbial
dakṣiṇeon the right
dakṣiṇe:
Adhikaraṇa (अधिकरण/Location)
TypeNoun
Rootdakṣiṇa (प्रातिपदिक)
FormMasculine/Neuter, Locative (7th/सप्तमी), Singular; adverbial
sa-gadā-abhayam(holding) mace and the gesture of fearlessness
sa-gadā-abhayam:
Karma (कर्म/Object)
TypeNoun
Rootsa + gadā + abhaya (प्रातिपदिक)
FormNeuter, Accusative (2nd/द्वितीया), Singular; समासः तत्पुरुषः (sa- = ‘with’)

Lord Agni (in discourse to Sage Vasiṣṭha, as the usual frame of the Agni Purana’s instructional chapters)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Shilpa","practical_application":"Midday worship (madhyāhna) visualization: establish Vaiṣṇavī in mind with her vāhana/āsana, color, and weapons/gestures before mantra-japa and nyāsa.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Description","entry_title":"Madhyāhna Dhyāna of White Vaiṣṇavī on Garuḍa and Lotus","lookup_keywords":["Vaiṣṇavī dhyāna","madhyāhna","Tārkṣya (Garuḍa)","śaṅkha cakra gadā","abhaya-mudrā"],"quick_summary":"At midday, meditate on the white Vaiṣṇavī seated on Garuḍa and lotus, holding conch and discus, with mace and the abhaya gesture—an iconographic key for time-specific pūjā."}

Weapon Type: Chakra; Mace (Gadā)

Concept: Time-linked devatā-bhāvanā: aligning inner worship with the day’s sandhyā cycle through specific śakti-forms.

Application: Use the midday slot for protective/clarifying contemplation—visualize abhaya and the Viṣṇu-emblems to cultivate steadiness and fearlessness in action.

Khanda Section: Puja-vidhi (Dhyana & Devata-nyasa / Vaisnavi-dhyana for midday worship)

Primary Rasa: adbhuta

Secondary Rasa: vira

Visual Art Cues: {"scene_description":"A white, luminous goddess Vaiṣṇavī sits on a lotus with Garuḍa as her mount; she holds conch and discus, a mace, and displays the abhaya gesture, embodying protection at midday.","kerala_mural_prompt":"Kerala mural: white-toned Vaiṣṇavī with subtle blue undertones, Garuḍa rendered in traditional stylization, bold outlines, lotus throne, conch and discus prominent, serene abhaya hand.","tanjore_prompt":"Tanjore: brilliant white Vaiṣṇavī with gold halo, heavy gold embossing on chakra and ornaments, Garuḍa richly decorated, deep jewel-toned background, temple arch framing.","mysore_prompt":"Mysore: crisp depiction of weapons and mudrā, balanced symmetry, soft gradients for white complexion, Garuḍa detailed but not overpowering, instructional clarity for iconography.","mughal_miniature_prompt":"Mughal miniature: elegant seated goddess with finely painted Garuḍa, delicate conch and discus, patterned textiles, midday light, architectural pavilion backdrop."}

Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Shuddha Dhanyasi","pace":"medium","voice_tone":"devotional"}

Sandhi Resolution Notes: dhyāyenmadhyāhne → dhyāyet + madhyāhne.

Related Themes: Agni Purana 72.26 (morning sandhyā); Agni Purana 72.29 (Raudrī dhyāna)

V
Vaiṣṇavī
G
Garuḍa (Tārkṣya)
Ś
Śaṅkha (conch)
C
Cakra (discus)
G
Gadā (mace)
A
Abhaya-mudrā

FAQs

It prescribes a specific midday (madhyāhna) dhyāna: visualizing Vaiṣṇavī’s exact color, seat/vehicle (Garuḍa and lotus-seat), and emblems (conch, discus, mace) along with the protective abhaya gesture—i.e., a precise iconographic meditation used in pūjā and nyāsa-oriented practice.

Beyond myth, it functions as a practical ritual manual: it codifies time-specific worship (midday) and standardized deity-iconography (āyudha, mudrā, vāhana/āsana), showing the Agni Purana’s coverage of liturgy, visualization techniques, and tantric-ritual detail alongside other sciences.

Meditating on Vaiṣṇavī in this protective form aligns the practitioner with Viṣṇu’s preserving power, cultivating fearlessness (abhaya), protection, and ritual purity—traditionally understood to remove obstacles and stabilize sattvic devotion during the day’s central junction.