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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 3

Chapter 61 — द्वारप्रतिष्ठाध्वजारोहाणादिविधिः

Gateway Installation, Flag Hoisting, and Allied Rites

अष्टभिः कलशैः स्थाप्य शाखोदुम्बरकौ गुरुः गन्धादिभिः समभ्यर्च्य मन्त्रैर् वेदादिभिर्गुरुः

aṣṭabhiḥ kalaśaiḥ sthāpya śākhodumbarakau guruḥ gandhādibhiḥ samabhyarcya mantrair vedādibhirguruḥ

Nachdem das Ritual mit acht Weihekrügen (kalaśa) eingerichtet worden ist, soll der Guru mit einem Zweig und einem Gerät aus Udumbara-Feigenholz aufgestellt werden. Sodann, nach Verehrung mit Düften und dergleichen, ist der Guru mit Mantras zu ehren — vedischen und verwandten, maßgeblichen Formeln.

अष्टभिःwith eight
अष्टभिः:
Karana (करण)
TypeAdjective
Rootअष्टन् (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, तृतीया (करण) विभक्ति, बहुवचन; संख्याविशेषण (numeral adjective)
कलशैःby/with pots
कलशैः:
Karana (करण)
TypeNoun
Rootकलश (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (करण) विभक्ति, बहुवचन
स्थाप्यhaving installed/placed
स्थाप्य:
Kriya (क्रिया)
TypeVerb
Rootस्था (धातु)
Formक्त्वान्त/ल्यप्-प्रत्ययान्त अव्ययकृदन्त (gerund/absolutive); ‘स्थापयित्वा/स्थाप्य’ = having स्थापित (placed/installed)
शाखा-उदुम्बरकौthe branch and the udumbara-wood (pair)
शाखा-उदुम्बरकौ:
Karma (कर्म)
TypeNoun
Rootशाखा (प्रातिपदिक) + उदुम्बरक (प्रातिपदिक)
Formद्वन्द्वसमास; पुंलिङ्ग, प्रथमा विभक्ति, द्विवचन
गुरुःthe teacher (guru)
गुरुः:
Karta (कर्ता)
TypeNoun
Rootगुरु (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा विभक्ति, एकवचन
गन्ध-आदिभिःwith fragrances and the like
गन्ध-आदिभिः:
Karana (करण)
TypeNoun
Rootगन्ध (प्रातिपदिक) + आदि (प्रातिपदिक)
Formतत्पुरुषसमास (आदि-समास/‘etc.’); पुंलिङ्ग, तृतीया (करण) विभक्ति, बहुवचन
समभ्यर्च्यhaving worshipped properly
समभ्यर्च्य:
Kriya (क्रिया)
TypeVerb
Rootसम् + अभि + अर्च् (धातु)
Formक्त्वान्त/ल्यप्-प्रत्ययान्त अव्ययकृदन्त (gerund); ‘समभ्यर्च्य’ = having duly worshipped
मन्त्रैःwith mantras
मन्त्रैः:
Karana (करण)
TypeNoun
Rootमन्त्र (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (करण) विभक्ति, बहुवचन
वेद-आदिभिःwith Vedic (texts) and the like
वेद-आदिभिः:
Karana (करण)
TypeNoun
Rootवेद (प्रातिपदिक) + आदि (प्रातिपदिक)
Formतत्पुरुषसमास (आदि-समास/‘etc.’); पुंलिङ्ग, तृतीया (करण) विभक्ति, बहुवचन
गुरुःthe guru
गुरुः:
Karta (कर्ता)
TypeNoun
Rootगुरु (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा विभक्ति, एकवचन (पुनरुक्ति—अनुवृत्ति)

Lord Agni (in dialogue with the sage Vasiṣṭha, typical Agni Purana frame)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Guru-pūjā and preliminary pratiṣṭhā setup using aṣṭa-kalaśa (eight consecration pitchers), sacred wood/branch implements, and mantra-honoring of the guru as the ritual axis.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Aṣṭa-kalaśa-sthāpana and Guru-arcana in Pūjā-vidhi","lookup_keywords":["aṣṭa-kalaśa","guru-pūjā","udumbara","śākhā-sthāpana","veda-mantra"],"quick_summary":"Establish the rite with eight kalaśas and sacred branch/udumbara implements, then worship and honor the guru with gandha-upacāras and Vedic/authoritative mantras."}

Concept: Guru as the living locus of mantra-adhikāra; ritual efficacy is anchored in proper installation (sthāpana) and reverential arcana.

Application: Before any major pūjā/pratiṣṭhā, formalize authority: establish kalaśas, sanctify implements, and honor the guru with mantra and upacāra.

Khanda Section: Puja-vidhi (Guru-puja and installation rites)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A ritual pavilion with eight decorated kalaśas arranged symmetrically; the guru seated on an āsana; attendants offering gandha, puṣpa, dhūpa; sacred udumbara branch/implement placed as part of the setup.","kerala_mural_prompt":"Kerala temple mural style, flat warm palette, symmetrical aṣṭa-kalaśa arrangement around a seated guru, ritual attendants with gandha and flowers, udumbara branch shown clearly, sacred pavilion interior, traditional ornamentation.","tanjore_prompt":"Tanjore painting, central seated guru with ornate halo, eight kalaśas with gold embossing, rich textiles, offerings of gandha and flowers, udumbara branch as ritual emblem, heavy gold work and jewel tones.","mysore_prompt":"Mysore painting, clean linework, instructional clarity: eight kalaśas labeled/visually distinct, guru on āsana, sequence of upacāras (gandha, puṣpa, dhūpa) depicted, udumbara implement highlighted.","mughal_miniature_prompt":"Mughal miniature, detailed yajña-śālā interior, eight kalaśas in precise geometry, guru receiving honors, attendants holding incense and perfume, delicate architectural borders and fine textiles."}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: वेदादिभिर्गुरुः → वेद-आदिभिः + गुरुः; मन्त्रैर् → मन्त्रैः (रेफादेश/विसर्गलोप-लेखनभेद).

Related Themes: Agni Purana Puja-vidhi sections on kalaśa-sthāpana; Agni Purana chapters on guru-lakṣaṇa and dīkṣā (tantric procedural portions)

G
Guru
K
Kalaśa
U
Udumbara (Ficus racemosa)
V
Veda
M
Mantra

FAQs

It gives a procedural rule for guru-worship/establishment: use eight kalaśas (consecration pots), employ a ritual branch and udumbara-wood implement, and complete worship with gandha (fragrance) offerings and Vedic/related mantras.

It exemplifies the Purana’s manual-like coverage of applied ritual technology—specific counts (eight kalaśas), prescribed materials (udumbara), and authorized liturgical sources (Vedic mantras)—showing it functions as a compendium of practical worship protocols.

Correct installation and mantra-based worship of the guru is presented as a purifying act that stabilizes the rite’s efficacy, honors the source of sacred knowledge, and accrues religious merit through properly authorized offerings and recitation.