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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 5

Chapter 53 — Liṅga-lakṣaṇa

Characteristics and Proportions of the Śiva-liṅga and Piṇḍikā

चतुःषष्ट्यस्रकं कृत्वा वर्तुलं साधयेत्ततः कर्तयेदथ लिङ्गस्य शिरो वै देशिकोत्तमः

catuḥṣaṣṭyasrakaṃ kṛtvā vartulaṃ sādhayettataḥ kartayedatha liṅgasya śiro vai deśikottamaḥ

Nachdem man es zunächst mit vierundsechzig Facetten (oder Seiten) gefertigt hat, soll man es sodann zu einer runden Form verfeinern; danach hat der vortreffliche, den Ritus leitende Ācārya den „Kopf“ (oberen Teil) des Liṅga zu gestalten.

catuḥṣaṣṭi-asrakama sixty-four-sided (figure)
catuḥṣaṣṭi-asrakam:
Karma (कर्म)
TypeNoun
Rootcatuḥṣaṣṭi (प्रातिपदिक) + asraka (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन); षष्ठी-तत्पुरुषः (catuḥṣaṣṭyāḥ asrakam)
kṛtvāhaving made
kṛtvā:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rootkṛ (धातु)
FormAbsolutive/Gerund (क्त्वान्त/ल्यबन्त अव्ययकृदन्त), ‘having made/done’
vartulama circle/round form
vartulam:
Karma (कर्म)
TypeNoun
Rootvartula (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
sādhayetshould construct/complete
sādhayet:
Kriyā (क्रिया)
TypeVerb
Rootsādh (धातु)
FormOptative (विधिलिङ्), 3rd Person (प्रथमपुरुष), Singular (एकवचन), Parasmaipada (परस्मैपद)
tataḥthen/thereafter
tataḥ:
Kāla/Anantara (काल/अनन्तर)
TypeIndeclinable
Roottatas (प्रातिपदिक)
FormAvyaya (अव्यय), adverb (क्रियाविशेषण)
kartayetshould cut/shape
kartayet:
Kriyā (क्रिया)
TypeVerb
Rootkṛt (धातु: √kṛt/कृत् ‘to cut’)
FormOptative (विधिलिङ्), 3rd Person (प्रथमपुरुष), Singular (एकवचन), Parasmaipada (परस्मैपद); causative sense ‘make cut/shape’ (णिचर्थ)
athathen/next
atha:
Sambandha (सम्बन्ध/अनुक्रम)
TypeIndeclinable
Rootatha (अव्यय)
FormAvyaya (अव्यय), discourse particle (अनन्तरार्थक/प्रस्तावक)
liṅgasyaof the liṅga
liṅgasya:
Ṣaṣṭhī-sambandha (षष्ठीसम्बन्ध)
TypeNoun
Rootliṅga (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Genitive (6th/षष्ठी), Singular (एकवचन)
śiraḥthe head/top
śiraḥ:
Karma (कर्म)
TypeNoun
Rootśiras (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
vaiindeed
vai:
Prayojaka-nipāta (निपात/बल)
TypeIndeclinable
Rootvai (अव्यय)
FormAvyaya (अव्यय), emphatic particle (निश्चयार्थक)
deśika-uttamaḥthe best teacher
deśika-uttamaḥ:
Karta (कर्ता)
TypeNoun
Rootdeśika (प्रातिपदिक) + uttama (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन); कर्मधारयः ‘uttamaḥ deśikaḥ’

Lord Agni (in discourse to sage Vasiṣṭha, Agni Purāṇa narrative frame)

Vidya Category: {"primary_vidya":"Vastu","secondary_vidya":"Shilpa","practical_application":"Technical guideline for shaping a Shiva-liṅga: roughing a multi-faceted blank and finishing it into a circular section, then forming the upper head (śiras) under an ācārya’s supervision.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Liṅga-nirmāṇa: catuḥṣaṣṭy-asra roughing and circular finishing","lookup_keywords":["catuḥṣaṣṭy-asra","liṅga-nirmāṇa","vṛttākāra","śiras","deśika"],"quick_summary":"Begin with a 64-faceted form to control symmetry, then turn/finish it into a circle; finally shape the liṅga’s upper head precisely as per ritual-architectural standards."}

Concept: Sacred form is produced through measured craft (māna) and disciplined procedure, not improvisation.

Application: Use stepwise geometric refinement (facets → circle) to ensure symmetry and ritual acceptability of the emblem.

Khanda Section: Vastu-vidya & Linga-pratishtha (Temple Architecture and Icon/Emblem Installation)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A temple sculptor-ācārya in a workshop shapes a stone liṅga: first a 64-faceted blank, then smoothing it into a perfect cylinder and beginning the upper śiras.","kerala_mural_prompt":"Kerala temple mural style, warm earthy palette, sacred workshop scene with an ācārya guiding artisans shaping a 64-faceted stone into a circular liṅga, ritual tools, calm sanctified atmosphere","tanjore_prompt":"Tanjore painting, gold-leaf accents on ritual implements, Śaiva workshop with the ācārya (deśika) shaping the liṅga’s śiras, ornate borders, luminous sanctity","mysore_prompt":"Mysore painting style, clear instructional composition showing step-by-step: 64 facets → circular finish → beginning of śiras, fine linework, labeled measuring cords","mughal_miniature_prompt":"Mughal miniature, detailed atelier scene with craftsmen turning a faceted stone into a circular liṅga, the master supervising, precise tools, architectural backdrop"}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Bhairav","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: catuḥṣaṣṭyasrakam → catuḥṣaṣṭi-asrakam; kartayedatha → kartayet atha; deśikottamaḥ → deśika-uttamaḥ

Related Themes: Agni Purana 53.6-53.9 (liṅga proportions, śiras shape, divisions)

Ś
Śiva-liṅga
D
Deśika (Ācārya)

FAQs

It gives a technical shaping sequence for a Śiva-liṅga: begin with a sixty-four-faceted form, finish it into a smooth circular profile, and then carve the upper ‘head’ portion under the supervision of a qualified ācārya.

Beyond mythology, the Agni Purāṇa preserves practical craft-and-ritual manuals—here, a precise iconographic/architectural instruction (Vāstu and pratiṣṭhā) that functions like a technical handbook for temple construction and installation rites.

Correct proportioning and ritually guided workmanship are treated as essential for a valid, auspicious installation; shaping the liṅga according to prescribed method supports purity of worship and the intended religious merit (puṇya) of consecration.