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Agni Purana — Raja-dharma, Shloka 9

Rāja-dharma (राजधर्माः) — Protection of the Heir, Discipline, Counsel, and the Seven Limbs of the State

जयेद्वाह्यानरीन् पश्चाद्वाह्याश् च त्रिविधारयः गुरवस्ते यथा पूर्वं कुल्यानन्तरकृत्रिमाः

jayedvāhyānarīn paścādvāhyāś ca trividhārayaḥ guravaste yathā pūrvaṃ kulyānantarakṛtrimāḥ

Nachdem man zuerst die äußeren Feinde besiegt hat, soll man danach die äußere Verteidigung durch drei Arten von Gräben sichern. Ihre Breite und Tiefe seien wie zuvor angegeben; die Gräben sind der Reihe nach anzulegen, einschließlich der künstlich ausgehobenen.

जयेत्should conquer
जयेत्:
Kriya (क्रिया)
TypeVerb
Rootजि (धातु)
Formविधिलिङ्, परस्मैपद, प्रथमपुरुष, एकवचन; Optative, 3rd person, Singular
वाह्यान्external/outer
वाह्यान्:
Karma (कर्म)
TypeAdjective
Rootवाह्य (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, बहुवचन; Masculine, Accusative, Plural
अरिन्enemies
अरिन्:
Karma (कर्म)
TypeNoun
Rootअरि (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, बहुवचन; Masculine, Accusative, Plural
पश्चात्afterwards
पश्चात्:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootपश्चात् (अव्यय)
Formकाल/क्रमवाचक अव्यय (adverb: afterwards)
वाह्याःexternal (ones)
वाह्याः:
Karta (कर्ता)
TypeAdjective
Rootवाह्य (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; Masculine, Nominative, Plural
and
:
Sambandha (सम्बन्ध/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
त्रिविधाःthreefold
त्रिविधाः:
Karta (कर्ता)
TypeAdjective
Rootत्रि + विध (प्रातिपदिक)
Formद्विगु-समास (‘त्रयः विधाः’), पुंलिङ्ग, प्रथमा, बहुवचन; Masculine, Nominative, Plural
अरयःenemies
अरयः:
Karta (कर्ता)
TypeNoun
Rootअरि (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; Masculine, Nominative, Plural
गुरवःelders/teachers
गुरवः:
Karta (कर्ता)
TypeNoun
Rootगुरु (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; Masculine, Nominative, Plural
तेthey/those
ते:
Karta (कर्ता)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; Pronoun, Nominative, Plural
यथाas
यथा:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootयथा (अव्यय)
Formउपमान/प्रकारवाचक अव्यय (adverb/conjunction: as/according to)
पूर्वम्previously
पूर्वम्:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootपूर्व (प्रातिपदिक/अव्ययवत्)
Formक्रमवाचक अव्यय (adverb: formerly/previously)
कुल्यान्(those) of the same clan/lineage
कुल्यान्:
Karta (कर्ता)
TypeNoun
Rootकुल्य (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; Masculine, Nominative, Plural
अनन्तरकृत्रिमाःimmediate and artificial (types)
अनन्तरकृत्रिमाः:
Karta (कर्ता)
TypeAdjective
Rootअनन्तर + कृत्रिम (प्रातिपदिक)
Formद्वन्द्व-समास (इतरेतर: ‘अनन्तराश्च कृत्रिमाश्च’), पुंलिङ्ग, प्रथमा, बहुवचन; Masculine, Nominative, Plural

Lord Agni (in instruction to the sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Arthashastra","secondary_vidya":"Vastu","practical_application":"Fortification planning: after neutralizing external threats, establish layered defenses using specified moat types and dimensions, including excavated/artificial ditches.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Trividha-parikha (threefold moats) for outer defense","lookup_keywords":["durga-raksha","parikha","trividha","bahya-ari","kṛtrima-kulyā"],"quick_summary":"Once external enemies are subdued, outer defenses should be secured by arranging three kinds of moats/ditches in sequence, with breadth and depth as previously prescribed, including artificial excavated ones."}

Concept: Pragmatic sequencing: victory over threats first, then institutionalize defenses to prevent recurrence.

Application: Use a defense-in-depth plan: multiple barriers, standardized measurements, and planned placement of artificial works.

Khanda Section: Rajadharma (Governance, forts, and statecraft)

Primary Rasa: Veera

Secondary Rasa: Adbhuta

Type: Kingdom

Visual Art Cues: {"scene_description":"A fortified city with concentric outer defenses: three distinct moats/ditches shown in sequence, engineers measuring depth and breadth, soldiers patrolling ramparts after victory over invaders.","kerala_mural_prompt":"Kerala mural, panoramic fort with layered moats, stylized water and earth bands, engineers with measuring rods, guards on walls, bold outlines and flat color fields","tanjore_prompt":"Tanjore style, gleaming fort walls with gold accents, three moat rings rendered as decorative bands, king overseeing engineers, ornate borders and rich reds/greens","mysore_prompt":"Mysore painting, technical diagram-like scene: cross-section of fort with three moats labeled by attendants, surveyors measuring, clean lines and soft coloration","mughal_miniature_prompt":"Mughal miniature, realistic fort landscape with workers excavating ditches, water-filled moat, soldiers in formation, fine architectural detail and perspective"}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Bhairav","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: जयेद्वाह्यानरीन् = जयेत् + वाह्यान् + अरिन् (एत्+व→एद्व; पदसन्धि); पश्चाद्वाह्याः = पश्चात् + वाह्याः; गुरवस्ते = गुरवः + ते; त्रिविधारयः = त्रिविधाः + अरयः; कुल्यानन्तरकृत्रिमाः = कुल्यान् + अनन्तरकृत्रिमाः.

Related Themes: Agni Purana Rajadharma passages giving earlier moat dimensions (immediately preceding fortification details); Agni Purana sections on durga and danda (near 224.11-224.12)

A
Agni Purana
A
arayaḥ (defensive lines)
K
kulyāḥ (moats/ditches)

FAQs

It teaches fortification procedure: after subduing external threats, the ruler should establish a threefold system of outer defensive works—especially moats/ditches (kulyāḥ), including excavated (kṛtrimāḥ) trenches—laid out in ordered sequence and with dimensions defined earlier.

Beyond mythology, it preserves practical rajadharma and military engineering: layered perimeter defense, classification of moats, and standards of construction—showing the Agni Purana’s coverage of governance and strategic infrastructure.

In rajadharma, protecting subjects is a primary duty; implementing orderly defenses supports stability and non-chaos (dharma), reducing harm from invasion and enabling the king to uphold righteous rule.