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Agni Purana — Agneya-vidya, Shloka 22

Chapter 19 — कश्यपवंशवर्णनम्

Description of Kaśyapa’s Lineage

एतत्सर्वं हरिर्ब्रह्मा अभिषिच्य पृथुं नृपं ददौ क्रमेण राज्यानि अन्येषामधिपो हरिः

etatsarvaṃ harirbrahmā abhiṣicya pṛthuṃ nṛpaṃ dadau krameṇa rājyāni anyeṣāmadhipo hariḥ

Nachdem Hari zusammen mit Brahmā König Pṛthu geweiht und gesalbt hatte, teilte er die Königreiche der Reihe nach ordnungsgemäß zu; und Hari blieb der oberste Herr über die anderen.

etatthis
etat:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootetat (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st/Nominative), एकवचन; सर्वनाम (pronoun) used adjectivally
sarvamall
sarvam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootsarva (सर्वनाम/प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st/Nominative), एकवचन; सर्वनाम used adjectivally
hariḥHari (Viṣṇu)
hariḥ:
Karta (कर्ता)
TypeNoun
Roothari (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन
brahmāBrahmā
brahmā:
Samānādhikaraṇa (समानाधिकरण)
TypeNoun
Rootbrahman (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन; विशेषनाम
abhiṣicyahaving consecrated
abhiṣicya:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rootabhi-√sic (धातु)
Formक्त्वान्त (absolutive/gerund), अव्ययभाव; ‘having anointed/consecrated’
pṛthumPṛthu
pṛthum:
Karma (कर्म)
TypeNoun
Rootpṛthu (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; विशेषनाम
nṛpamking
nṛpam:
Karma (कर्म)
TypeNoun
Rootnṛpa (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; apposition to pṛthum
dadaugave
dadau:
Kriyā (क्रिया)
TypeVerb
Root√dā (धातु)
Formलिट् (Perfect), प्रथमपुरुष (3rd person), एकवचन; परस्मैपद
krameṇain order / successively
krameṇa:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootkrama (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/Instrumental), एकवचन; adverbial use (क्रियाविशेषणार्थे)
rājyānikingdoms
rājyāni:
Karma (कर्म)
TypeNoun
Rootrājya (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), बहुवचन
anyeṣāmof others
anyeṣām:
Ṣaṣṭhī-sambandha (षष्ठीसम्बन्ध)
TypeAdjective
Rootanya (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, षष्ठी (6th/Genitive), बहुवचन; used substantively ‘of others’
adhipaḥlord / overlord
adhipaḥ:
Samānādhikaraṇa (समानाधिकरण)
TypeNoun
Rootadhipa (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन
hariḥHari
hariḥ:
Karta (कर्ता)
TypeNoun
Roothari (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन; reiteration for emphasis

Lord Agni (narrating puranic history to Sage Vasiṣṭha, per the common Agni Purāṇa dialogue frame)

Vidya Category: {"primary_vidya":"Arthashastra","secondary_vidya":"Dharmashastra","practical_application":"Legitimizing rulership through consecration (abhiṣeka) and orderly delegation of territories under a paramount sovereign; a template for imperial administration and vassalage.","sutra_style":false}

Encyclopedic Reference: {"reference_type":"Description","entry_title":"Pṛthu Abhiṣeka and Allocation of Realms under Hari’s Paramountcy","lookup_keywords":["Pṛthu","abhiṣeka","rājya-vibhāga","Hari overlordship","rājadharma"],"quick_summary":"Kingship is established by ritual consecration and then stabilized by orderly distribution of jurisdictions. Even when realms are allotted to others, a single paramount authority is affirmed to prevent fragmentation."}

Concept: Rājadharma: authority is sanctified (abhiṣeka) and must be exercised through ordered delegation while acknowledging a higher, unifying sovereignty.

Application: In governance: establish legitimacy via recognized rites/institutions; define jurisdictions clearly; maintain unity through a constitutional/paramount center.

Khanda Section: Rajadharma / Puranic Kingship Narratives (Prithu-Charita, coronation and distribution of realms)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"Hari and Brahmā perform the consecration of King Pṛthu; a royal abhiṣeka scene with sacred vessels, attendants, and the subsequent symbolic allotment of realms to subordinate rulers while Hari remains paramount.","kerala_mural_prompt":"Kerala temple mural style, flat yet vivid colors, Hari and Brahmā anointing King Pṛthu seated on a lion-throne, kalasha vessels, white parasols, orderly rows of vassal-kings receiving insignia, ornate floral borders, sacred court ambience","tanjore_prompt":"Tanjore painting with gold leaf, central enthroned Pṛthu receiving abhiṣeka from Hari and Brahmā, heavy jewelry and crowns, gold halo, attendants holding kalashas and chamara, subordinate kings in smaller panels receiving land-scrolls, rich red-green palette","mysore_prompt":"Mysore painting style, refined linework, instructional clarity: abhiṣeka ritual implements labeled visually (kalasha, conch, lamps), Pṛthu’s coronation sequence and orderly distribution of realms depicted in registers, soft shading and delicate ornament","mughal_miniature_prompt":"Mughal miniature, courtly realism: coronation hall with carpets and canopies, Hari and Brahmā as divine figures within a royal assembly, Pṛthu crowned, scribes recording allotments, vassal rulers receiving farmans, detailed textiles and architecture"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"medium","voice_tone":"epic"}

Sandhi Resolution Notes: एतत्सर्वम् = etat + sarvam; हरिर्ब्रह्मा = hariḥ + brahmā; अन्येषामधिपः = anyeṣām + adhipaḥ.

Related Themes: Agni Purana: Rajadharma sections on abhiṣeka and kingly duties (contextual within Khanda 19); Agni Purana: cosmological adhipati/lokapāla enumerations (adjacent verses 19.23–19.26)

H
Hari (Vishnu)
B
Brahma
P
Prithu

FAQs

It highlights abhiṣeka (royal consecration) as the legitimizing rite for kingship and the ordered allotment (krameṇa) of realms under a recognized overlord (adhipa).

Alongside theology, it preserves statecraft themes—legitimate succession, coronation, and political hierarchy—showing the Purāṇa’s coverage of governance (rājadharma) as a practical domain of knowledge.

It frames righteous rule as divinely sanctioned: kingship is not mere power but a consecrated duty under dharma, with sovereignty ultimately subordinated to Hari as supreme lord.