नग्न-परिभाषा तथा देव-स्तोत्रपूर्वक मायामोह-उत्पत्ति
Defining ‘Nagna’ and the Devas’ Hymn Leading to Māyāmoha
संभक्ष्य सर्वभूतानि देवादीन्य् अविशेषतः नृत्यत्य् अन्ते च यद् रूपं तस्मै रुद्रात्मने नमः
saṃbhakṣya sarvabhūtāni devādīny aviśeṣataḥ nṛtyaty ante ca yad rūpaṃ tasmai rudrātmane namaḥ
যে রূপ অন্তে দেবতাসহ সকল ভূতকে নির্বিশেষে গ্রাস করে, তারপর প্রলয়ে নৃত্য করে—সেই রুদ্রাত্মক রূপকে নমস্কার।
Sage Parāśara (teaching Maitreya in a hymn-like description within the creation/dissolution narrative)
Speaker: Parasara
Topic: The Lord’s Rudra-function in final dissolution—consuming even gods and performing the cosmic dance
Teaching: Cosmological
Quality: revealing
Creation Stage: Kalpa
Cosmic Hierarchy: Lokas
Concept: The Supreme encompasses the Rudra-principle: dissolution is His function, equalizing all beings at the end, followed by the dance of cosmic reabsorption.
Vedantic Theme: Maya
Application: Replace sectarian rivalry with integrated theism: see diverse deities/functions as coordinated powers under the Supreme, and cultivate humility before time.
Vishishtadvaita: Rudra is a functional mode/office under Vishnu’s lordship; the Supreme remains the inner ruler while delegating cosmic roles.
Vishnu Form: Para-Brahman
Bhakti Type: Shanta
Jagat Karana: Yes
It signifies pralaya—the final dissolution—where the dissolving power (Rudra-tattva) consumes all beings without exception and brings the cosmos to rest before renewal.
Parāśara emphasizes the universality of dissolution: at pralaya, no category—mortal or divine—stands outside cosmic law, underscoring the absolute sovereignty of the divine process.
The verse presents dissolution as an aspect of supreme governance: even the Rudra-function operates under the ultimate reality that orders creation, maintenance, and dissolution in Vishnu Purana cosmology.