नृत्यंति पुरतः शम्भोरुर्वश्याद्याः सुरस्त्रियः । वशिष्ठः कश्यपः कण्वो विश्वामित्रो महा तपाः
nṛtyaṃti purataḥ śambhorurvaśyādyāḥ surastriyaḥ | vaśiṣṭhaḥ kaśyapaḥ kaṇvo viśvāmitro mahā tapāḥ
শম্ভুর সম্মুখে উর্বশী প্রভৃতি দেবী-নারীগণ নৃত্য করে; আর বশিষ্ঠ, কশ্যপ, কণ্ব ও মহাতপস্বী বিশ্বামিত্রও সেখানে আছেন।
Deductive: Sūta (Lomaharṣaṇa) narrating to sages
Both austerity (ṛṣis) and refined devotion (dance and art) are valid offerings when centered on Śiva.
No particular tīrtha is named; it is a court-scene of Śiva’s presence.
None; it implies devotional service through nṛtya (sacred dance) and reverence by sages.