Shloka 2
Glorification of Prayāga
Prayāga Māhātmya
मार्कंडेय उवाच । शृणु राजन्प्रवक्ष्यामि प्रोक्तं सर्वमिदं जगत् । ब्रह्माविष्णुस्तथेशानो देवता प्रभुरव्ययः
mārkaṃḍeya uvāca | śṛṇu rājanpravakṣyāmi proktaṃ sarvamidaṃ jagat | brahmāviṣṇustatheśāno devatā prabhuravyayaḥ
মার্কণ্ডেয় বললেন—হে রাজন, শোনো; আমি বলছি, যেমন বলা হয়েছে তেমনই এই সমগ্র জগৎ—ব্রহ্মা, বিষ্ণু এবং ঈশান (শিব) সেই দেবতা, যিনি প্রভু ও অব্যয়।
Mārkaṇḍeya
Concept: The entire jagat is to be understood through the divine governance of Brahma, Vishnu, and Ishana, with the Lord as imperishable overlord.
Application: Cultivate a daily habit of seeing life-events as held within a larger divine order; respond with steadiness and devotion rather than anxiety.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: celestial_realm
Visual Art Cues: {"scene_description":"A sage with matted locks and a calm, luminous face addresses a seated king in a celestial-forest hermitage. Behind them, a vast cosmic mandala subtly reveals Brahma on a lotus, Vishnu in sapphire radiance, and Ishana in ash-white stillness—three functions within one imperishable sovereignty.","primary_figures":["Mārkaṇḍeya","a king (listener)","Brahmā (vision form)","Viṣṇu (vision form)","Īśāna/Rudra (vision form)"],"setting":"Hermitage pavilion opening into a star-filled cosmic backdrop; palm-leaf manuscripts, sacrificial fire, and a faint lotus-mandala in the sky.","lighting_mood":"divine radiance","color_palette":["sapphire blue","lotus pink","gold leaf","ash white","deep indigo"],"tanjore_prompt":"Tanjore painting style: Markandeya teaching a crowned king beside a small homa-kunda, with a large circular prabhavali behind showing Brahma on a lotus, Vishnu in sapphire blue, and Ishana in ash-white; heavy gold leaf halos, rich vermilion and emerald textiles, gem-studded ornaments, ornate arch frame, traditional South Indian iconography.","pahari_prompt":"Pahari miniature style: a quiet ashram scene with Markandeya gesturing gently to a seated king; above them a delicate cosmic vignette of Brahma–Vishnu–Ishana in a soft mandala, cool twilight blues, fine linework, lyrical trees and distant hills, refined faces and subtle emotion.","kerala_mural_prompt":"Kerala mural style: bold black outlines and flat natural pigments; Markandeya and the king in profile, large expressive eyes; behind them a stylized circular cosmos with Brahma, Vishnu, and Ishana arranged triadically; dominant reds, yellows, greens with gold accents, temple-wall aesthetic.","pichwai_prompt":"Pichwai cloth painting style: Vishnu-centered cosmic lotus mandala with Brahma emerging from the navel-lotus and Ishana at the periphery; intricate floral borders, lotus motifs, peacocks at the bottom corners, deep blues and gold; Markandeya and the king rendered smaller in the foreground as devotees."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["soft temple bells","low drone (tanpura)","forest birds","gentle conch accent"]}
Sandhi Resolution Notes: राजन्प्रवक्ष्यामि = राजन् + प्रवक्ष्यामि; ब्रह्माविष्णुस्तथेशानो = ब्रह्मा + विष्णुः + तथा + ईशानः; प्रभुरव्ययः = प्रभुः + अव्ययः.
FAQs
The sage Mārkaṇḍeya is speaking, addressing a king referred to as “Rājan” (“O king”).
The verse points to the divine principle expressed through Brahmā, Viṣṇu, and Īśāna (Śiva), describing that deity as the Lord (prabhu) and imperishable (avyaya).
It frames instruction as attentive listening and clear teaching—urging the listener (the king) to receive sacred knowledge carefully, especially regarding the enduring nature of the divine.