Skanda Purana — Brahma Khanda, Shloka 77
वाग्देवी धृतवल्लकी शतमखो वेणुं दधत्पद्मजस्तालोन्निद्रकरो रमा भगवती गेयप्रयोगान्विता । विष्णुः सांद्रमृदंगवादनपटुर्देवाः समंतात्स्थिताः सेवंते तमनु प्रदोषसमये देवं मृडानीपतिम्
vāgdevī dhṛtavallakī śatamakho veṇuṃ dadhatpadmajastālonnidrakaro ramā bhagavatī geyaprayogānvitā | viṣṇuḥ sāṃdramṛdaṃgavādanapaṭurdevāḥ samaṃtātsthitāḥ sevaṃte tamanu pradoṣasamaye devaṃ mṛḍānīpatim
বাগ্দেৱী বীণা ধৰে; শতমখ (ইন্দ্ৰ) বাঁহী বহন কৰে; পদ্মজ (ব্ৰহ্মা) উচ্ছ্বসিত হাতে তাল দিয়ে; ভগৱতী ৰমা (লক্ষ্মী) গীত-প্ৰয়োগত নিপুণ। বিষ্ণু গম্ভীৰ মৃদংগ বজোৱাত দক্ষ; দেৱতাসকল চাৰিওফালে থিয় হৈ—প্ৰদোষ সময়ত মৃডানীপতি দেৱ (শিৱ)ক সেৱা কৰে।
Unknown (devotional narrator within Brahmottarakhaṇḍa)
Tirtha: Kailāsa (as archetype for Pradoṣa worship everywhere)
Type: peak
Scene: A celestial concert around Śiva at Pradoṣa: Sarasvatī with vīṇā, Indra with flute, Brahmā keeping tāla, Lakṣmī singing, Viṣṇu playing mṛdaṅga; devas encircle, all serving Śiva, Pārvatī nearby.
FAQs
Pradoṣa is exalted as a supreme devotional moment: even the highest deities express reverence by serving Śiva.
No earthly tīrtha is specified; the verse depicts a celestial liturgy around Śiva, strengthening the māhātmya of Pradoṣa.
Implied: worship Śiva at Pradoṣa with music, song, and devoted attendance (sevā/bhakti).