Shloka 121
Means to Slay Tāraka: Girijā’s Birth, Kāma’s Burning, and Umā’s Austerities
पृथुत्वं मनसा तुल्यं कंदराणां तवानघ । गुरुत्वं ते गुणौघानां स्थावरादतिरिच्यते
pṛthutvaṃ manasā tulyaṃ kaṃdarāṇāṃ tavānagha | gurutvaṃ te guṇaughānāṃ sthāvarādatiricyate
হে অনঘ! তোমাৰ গুহাসমূহৰ বিস্তৃতি মনৰ সমান; আৰু তোমাৰ সঞ্চিত গুণসমূহৰ গৌৰৱ স্থাবৰ পৰ্বতসমূহকো অতিক্ৰম কৰে।
Unspecified in the provided excerpt (context needed from surrounding verses to identify the dialogue pair)
Concept: Outer vastness mirrors inner vastness: the cave’s breadth is likened to mind; true ‘weight’ is the gravity of virtues, not mere physical mass.
Application: Measure greatness by character: cultivate steadiness, humility, and generosity; expand the ‘inner cave’ through meditation and scriptural reflection.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: mountain
Visual Art Cues: {"scene_description":"The mountain’s cavern mouths appear immeasurably deep, like portals into a silent inner cosmos. A sage gestures toward the caves while subtle luminous script-like patterns float in the air, suggesting that the mind’s expanse and the mountain’s hollows mirror one another; the mountain radiates a dignified ‘heaviness’ of virtue.","primary_figures":["praising sage(s)","Śailendra/Adrirāja (suggested presence)","meditating ascetics in cave interiors"],"setting":"Cliffside caves with visible meditation platforms, smoke from small ghee lamps, and faint yantra-like carvings on rock.","lighting_mood":"forest dappled","color_palette":["slate blue","smoky white","deep umber","sandalwood beige","antique gold"],"tanjore_prompt":"Tanjore painting style: grand cave-arches embellished with gold leaf borders, sages with jeweled rudrākṣa and palm-leaf manuscripts praising the mountain, the mountain-lord hinted as a regal visage in rock, rich reds/greens, ornate halos, gem-like highlights on cave edges.","pahari_prompt":"Pahari miniature style: delicate rendering of cavern depth with cool blues and grays, fine linework for ascetics seated in meditation, a lyrical sense of ‘mind-space’ through mist layers, refined faces and gentle hand gestures of praise.","kerala_mural_prompt":"Kerala mural style: stylized caves as repeating motifs, bold outlines, sages in ochre with large eyes, symbolic patterns representing ‘mind’ floating above, earthy reds and yellows with green accents, temple mural symmetry.","pichwai_prompt":"Pichwai cloth painting style: patterned cave-mouths framed by lotus-vine borders, peacocks perched on ledges, sages as devotional figures, deep indigo background with gold motifs suggesting the ‘weight’ of virtues, intricate floral filigree."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhupali","pace":"slow-meditative","voice_tone":"serene","sound_elements":["cave resonance","soft conch in distance","dripping water","low tanpura"]}
Sandhi Resolution Notes: तवानघ = तव + अनघ (a+a→ā). स्थावरादतिरिच्यते = स्थावरात् + अतिरिच्यते (त् + अ).
FAQs
It uses poetic comparison to praise someone’s greatness: their physical vastness (caves) is likened to the limitless mind, and their moral “weight” (virtues) is said to exceed even the heaviness of mountains.
In Sanskrit poetics, “gurutva” conveys gravity, dignity, and substantial worth. The verse suggests that accumulated virtues possess a greater spiritual seriousness than mere physical mass.
From this single verse alone it cannot be identified with certainty. “Anagha” is a common honorific used for revered beings (sages, deities, or exemplary persons); the surrounding narrative in Adhyaya 43 would be required to name the addressee.