Shloka 9
Śatrughna’s Entry into Ahicchatrā
Temptation of Sumada and the Goddess’s Boon
इत्युक्तमाकर्ण्य महामतिर्नृपो । विचारयामास कुतो ह्युपस्थिताः । मया सुसृष्टास्तपसा सुरांगनाः । प्रत्यूह एवात्र विधेयमेष किम्
ityuktamākarṇya mahāmatirnṛpo | vicārayāmāsa kuto hyupasthitāḥ | mayā susṛṣṭāstapasā surāṃganāḥ | pratyūha evātra vidheyameṣa kim
এই বাক্য শুনি মহামতি নৃপতি চিন্তা কৰিলে: “এই সুৰাঙ্গনাসকল ক’ৰ পৰা উপস্থিত হ’ল? মোৰ তপস্যাৰ বলতেই ইহঁত সুসৃষ্ট—তেন্তে ইয়াত কি কৰা উচিত? ই কি তপস্যা ভঙ্গ কৰিবলৈ অহা কোনো প্ৰতিউহ (বাধা) নেকি?”
Narrator (describing the king’s inner deliberation)
Concept: Spiritual maturity is shown by questioning appearances and testing whether an experience supports or obstructs tapas.
Application: When something ‘too perfect’ appears, ask: does it deepen my practice or dilute it? Name the temptation and choose deliberately.
Primary Rasa: shanta
Secondary Rasa: bhayanaka
Visual Art Cues: {"scene_description":"The king sits in a forest hermitage posture, eyes half-closed, while luminous apsarās hover at the edge of his austerity-circle. A faint aura around him suggests tapas-heat, yet his face shows calm scrutiny as thought-forms—question marks rendered as subtle smoke-like glyphs—rise toward the sky, indicating his inner deliberation about pratyūha.","primary_figures":["Mahāmati king (Sumada)","Celestial maidens (surāṅganāḥ)"],"setting":"Tapas-grove with kusa grass seat, sacrificial fire embers, and a boundary of sacred trees; the apsarās remain just outside the ascetic space.","lighting_mood":"forest dappled","color_palette":["smoke gray","sandalwood beige","leaf green","austerity amber","moonstone white"],"tanjore_prompt":"Tanjore painting style: seated king in yogic composure on a kusa mat, small sacred fire glowing; apsarās at the periphery with ornate jewelry; gold leaf aura around the king symbolizing tapas; rich maroon-green drapery, embossed ornaments, temple-arch framing that contrasts ascetic center and seductive border.","pahari_prompt":"Pahari miniature style: quiet hermitage scene with delicate trees and a small fire; the king’s thoughtful gaze turned slightly toward the apsarās; subtle atmospheric wash showing inner doubt; cool greens and soft browns, refined linework, restrained ornamentation for the king.","kerala_mural_prompt":"Kerala mural style: central king with composed eyes and strong outline, apsarās in stylized poses at sides; patterned foliage and a small fire motif; warm pigments and ornamental borders emphasizing moral drama.","pichwai_prompt":"Pichwai cloth painting style: symmetrical grove with floral borders; central seated king with a halo of tapas-amber; apsarās arranged like a tempting garland at the edges; lotus and vine motifs, deep indigo ground with gold highlights, devotional-cautionary composition."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"serene","sound_elements":["crackling fire","forest birds","wind in leaves","long silence"]}
Sandhi Resolution Notes: इत्युक्तमाकर्ण्य = इति + उक्तम् + आकर्ण्य; महामतिर्नृपो = महामतिः + नृपः; ह्युपस्थिताः = हि + उपस्थिताः; सुसृष्टास्तपसा = सुसृष्टाः + तपसा; एवात्र = एव + अत्र; विधेयमेष = विधेयम् + एषः.
FAQs
Because extraordinary visions and pleasures can arise during austerity, and traditional Purāṇic narratives often portray such appearances as tests that can divert a practitioner from disciplined focus.
It emphasizes discernment (viveka): even if something seems “produced” by one’s spiritual effort, one should evaluate whether it supports the goal of austerity or becomes a distraction.
In Purāṇic idiom, intense tapas is portrayed as a potent force that can cause extraordinary manifestations; the verse frames this power cautiously, urging the ascetic to guard against diversion.