Shloka 106
Annadāna and the Obstruction of Viṣṇu-Darśana; Vāmadeva’s Teaching and the Vāsudeva Stotra Prelude
तस्य कर्मविपाकस्य शुभात्मा हसते नृप । मम संगप्रसंगेन न दत्तं पापचेतन
tasya karmavipākasya śubhātmā hasate nṛpa | mama saṃgaprasaṃgena na dattaṃ pāpacetana
হে নৃপ, সেই কৰ্মবিপাক পক্ব হোৱাত শুভচিত্ত জনে হাঁহে। মোৰ সঙ্গ-প্ৰসঙ্গৰ ফলত সেই পাপচেতনা জনে দান নকৰিলে।
Unspecified narrator addressing a king (nṛpa) (context needed to name the exact speaker)
Concept: Karma’s ripening becomes a lesson: the ‘śubhātmā’ (noble-minded) can even ‘laugh’—i.e., remain unshaken—seeing moral causality at work; bad association (saṅga) can obstruct charity and dharma.
Application: Choose companions and influences carefully (friends, media, habits); keep company that normalizes generosity and devotion; if you notice stinginess increasing, change your saṅga first.
Primary Rasa: raudra
Secondary Rasa: karuna
Visual Art Cues: {"scene_description":"A stern, luminous teacher-figure addresses a seated king in a pillared hall, pointing toward a distant vision where karma’s consequence unfolds like a tableau. The king’s face shows dawning fear and understanding, while the speaker’s expression is firm—compassionate in intent yet sharp in rebuke—warning that corrupt association can choke the impulse to give.","primary_figures":["Unspecified narrator/teacher figure (sage-like)","King (nṛpa)","Visionary tableau of Subāhu’s karma-vipāka (in background)"],"setting":"Royal court with carved pillars and a side shrine; a ‘vision window’ or cloud-like vignette shows the karmic scene as instruction.","lighting_mood":"golden dawn","color_palette":["royal blue","sunlit gold","ivory","crimson","smoke gray"],"tanjore_prompt":"Tanjore painting style: courtly scene with the king on a throne, the sage/teacher standing with raised hand in admonition; gold leaf on pillars and halos, rich reds and greens, ornate jewelry; a small inset panel showing karma-vipāka as a moral illustration, framed like a miniature within the painting.","pahari_prompt":"Pahari miniature style: refined court interior with delicate architecture; the teacher’s gesture calm but decisive; soft dawn light, cool blues and warm golds; a cloud-shaped vignette in the sky corner depicting the karmic consequence, emphasizing didactic storytelling.","kerala_mural_prompt":"Kerala mural style: frontal court composition, bold outlines; king and teacher in iconic poses; bright pigments with strong reds/yellows/greens; background vignette of karma-vipāka simplified into symbolic forms for clarity.","pichwai_prompt":"Pichwai cloth painting style: central king and sage framed by ornate floral borders; deep blue ground with gold filigree; the karmic lesson shown as a circular medallion above, lotus motifs turning into warning flames at the border edges, blending devotion and nīti."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["court ambience hush","single bell strike","conch shell (soft)","footsteps on stone"]}
Sandhi Resolution Notes: कर्मविपाकस्य = कर्म + विपाकस्य (समास); संगप्रसंगेन = संग + प्रसंगेन (समास).
FAQs
It contrasts the steadfastness of a pure-minded person—who remains calm even when karma bears fruit—with the behavior of a sinful-minded person who, even in good company, fails to practice generosity.
It suggests that association can influence conduct, yet it also implies that a deeply sinful disposition may resist reform, failing to perform virtuous acts like charity despite good company.
Cultivate inner purity and generosity: face outcomes without bitterness, and do not let negative tendencies prevent acts of giving, especially when opportunities for virtue arise.