Shloka 18
The Deeds of Cyavana
in the Context of Guru-tirtha Glorification
स्त्रीपुंसोश्च स्वरूपाणि कृतानि च विशेषतः । हेमचंदनकाशानि दिव्यरूपधराणि च
strīpuṃsośca svarūpāṇi kṛtāni ca viśeṣataḥ | hemacaṃdanakāśāni divyarūpadharāṇi ca
আৰু বিশেষকৈ নাৰী-পুৰুষৰ ৰূপসমূহ গঢ়া হ’ল—সোণ আৰু চন্দনৰ দৰে দীপ্তিমান, আৰু দিব্য ৰূপ ধাৰণ কৰা।
Unspecified (narrative voice within Bhūmi-khaṇḍa context)
Concept: Merit and divine ordinance shape embodied experience; beauty and radiance are portrayed as signs of sattva and puṇya.
Application: Cultivate sattvic habits (truthfulness, cleanliness, restraint, devotion) so one’s presence becomes ‘fragrant’ and beneficial—inner sandalwood rather than mere outer display.
Primary Rasa: adbhuta
Secondary Rasa: shringara
Type: celestial_realm
Visual Art Cues: {"scene_description":"A vast jeweled assembly hall opens like a lotus, where newly fashioned men and women stand in serene rows, their bodies glowing like molten gold and pale sandalwood. Their faces are calm, eyes lotus-shaped, and their skin seems to emit a soft divine sheen as if lit from within.","primary_figures":["divya-striyaḥ","divya-puṁsaḥ","narrator-sage (off to one side)"],"setting":"Celestial sabhā with lotus pillars, pearl inlays, sandalwood fragrance rising as visible mist, and a distant throne dais suggesting a king’s presence.","lighting_mood":"divine radiance","color_palette":["molten gold","sandalwood beige","pearl white","lotus pink","deep sapphire"],"tanjore_prompt":"Tanjore painting style: a celestial sabhā with lotus-pillared architecture, divya men and women with golden-sandalwood complexions, heavy gold-leaf halos and borders, gem-studded ornaments, rich crimson and emerald textiles, traditional South Indian iconographic symmetry, luminous gold leaf embellishment across jewelry and pillars.","pahari_prompt":"Pahari miniature style: delicate brushwork showing a refined heavenly court, slender figures with soft pearl-gold skin tones, lyrical lotus motifs, cool blues and pinks, intricate textile patterns, gentle facial expressions, airy architectural arches, subtle shading and naturalistic grace.","kerala_mural_prompt":"Kerala mural style: bold black outlines and flat natural pigments depicting a divine assembly, stylized lotus eyes, warm yellow-gold bodies, red and green garments, ornate jewelry, temple-wall aesthetic with rhythmic repetition of figures and decorative floral borders.","pichwai_prompt":"Pichwai cloth painting style: lotus-filled sabhā like a blooming padma, pearl and gold motifs, intricate floral borders, deep indigo background, figures arranged in devotional symmetry, peacocks and lotus vines framing the scene, gold highlights on ornaments and garlands."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["soft temple bells","low drone of tanpura","faint conch shell","gentle murmurs of an assembly"]}
Sandhi Resolution Notes: स्त्रीपुंसोश्च = स्त्रीपुंसोः + च; हेमचंदनकाशानि = हेम + चन्दन + काशानि; दिव्यरूपधराणि = दिव्य + रूपधराणि
FAQs
It describes the creation or fashioning of male and female forms, emphasizing their divine, radiant beauty.
Gold suggests luminous splendor, while sandalwood suggests auspicious purity and pleasing fragrance—together conveying sacred, refined embodiment.
Implicitly, it frames human embodiment as dignified and divinely endowed, encouraging reverence for the sacredness of form rather than mere materiality.