Adhyaya 65 — Svarocis Enjoys on the Mountain; A Debate on Marital Fidelity and Desire
स्रजो वस्त्राण्यलङ्कारान् गन्धाढ्यमनुलेपनम् ।
आसनान्यतिशुभ्राणि काञ्चनानि यथेच्छया ॥
strajo vastrāṇy alaṅkārān gandhāḍhyam anulepanam / āsanāny atiśubhrāṇi kāñcanāni yathecchayā
মালা, বস্ত্ৰ, অলংকাৰ, সুগন্ধে সমৃদ্ধ লেপন আৰু অতি দীপ্ত স্বৰ্ণাসন—এই সকলো ইচ্ছামতে যোগান ধৰা হ’ল।
Desire (icchā) is depicted as satisfiable without conflict when governed by higher power; the text’s concern is order and auspiciousness rather than ascetic denial in this episode.
Manvantara narrative material: descriptive catalogues often appear in Purāṇas to concretize the fruits of boons within a time-cycle story.
Adornment and fragrance can signify refinement of the subtle body (sūkṣma-śarīra): ‘ornaments’ as virtues, ‘fragrance’ as purity, and ‘seats’ as steadiness of state.