Adhyaya 45 — Jaimini’s Cosmological Questions and the Opening of Markandeya’s Account of Primary Creation
गतिर्विसर्गो ह्यानन्दः शिल्पं वाक्यं च कर्म तत् ।
आकाशं शब्दमात्रन्तु स्पर्शमात्रं समाविशत् ॥
gatirvisargo hyānandaḥ śilpaṃ vākyañca karma tat / ākāśaṃ śabdamātrantu sparśamātraṃ samāviśat
গমন, বিসৰ্জন, ৰতি/সুখ, শিল্প (হস্তকৰ্ম) আৰু বাক্—এইবোৰেই সিহঁতৰ ক্ৰিয়া। তাৰপিছত শব্দমাত্ৰ-স্বভাৱ আকাশত স্পৰ্শমাত্ৰ তন্মাত্ৰা প্ৰৱিষ্ট হ’ল।
{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
The verse maps faculties to their functions, then returns to cosmogenesis: elements evolve by successive ‘impregnation’ with additional tanmātras. It implies that complexity arises by layered additions—useful as a contemplative model for how experience compounds.
Sarga: both the functional description of organs and the stepwise evolution of the gross elements.
Ether as ‘sound-only’ becoming associated with touch suggests the first thickening of manifestation: vibration (sound) gains tangibility (touch). Symbolically, subtle intention becomes actionable presence.