ब्रह्मवेध्याम्Brahmavedhyā (pierced/marked by Brahman; river-name)
ब्रह्मवेध्याम्:
Karma
TypeNoun
Rootब्रह्मवेध्या
FormFeminine, Accusative, Singular
बृहद्वतीम्Bṛhadvātī (very large; river-name)
बृहद्वतीम्:
Karma
TypeNoun
Rootबृहद्वती
FormFeminine, Accusative, Singular
यवक्षाम्Yavakṣā (river-name)
यवक्षाम्:
Karma
TypeNoun
Rootयवक्षा
FormFeminine, Accusative, Singular
रोहीम्Rohī (river-name)
रोहीम्:
Karma
TypeNoun
Rootरोही
FormFeminine, Accusative, Singular
तथाand also/likewise
तथा:
TypeIndeclinable
Rootतथा
जाम्बूनदीम्Jāmbūnadī (Jambu-river; river-name)
जाम्बूनदीम्:
Karma
TypeNoun
Rootजाम्बूनदी
FormFeminine, Accusative, Singular
Speaker
संजय उवाच
Characters & Entities
S
Sañjaya
U
Upendrā (river)
B
Bahulā (river)
K
Kuvīrā (river)
A
Ambuvāhinī (river)
V
Vinadī (river)
P
Piñjalā (river)
V
Veṇā (river)
T
Tuṅgaveṇā (river)
M
Mahānadī (great river/river name)
Character Dynamics
Dharma Sankata (Moral Dilemma)
War Context
Verse Rasa (Emotional Essence)
Philosophical Teaching
Political Layer
Geographic Context
Meter (Chandas)
Sandhi Notes
Educational Q&A
The verse participates in a sacred-geographical catalogue: naming rivers highlights the land’s life-sustaining and purifying powers, reminding listeners that dharma is rooted not only in abstract rules but also in the ordered world—places, waters, and traditions that support righteous living even amid impending war.
Sañjaya is describing regions and waterways connected with the broader Kurukṣetra setting. This section lists rivers one after another, situating the audience in a vast, culturally charged landscape as the epic’s central conflict unfolds.