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Shloka 15

बाणयुद्धम्, हरिहरसंवादः, ज्वरप्रकरणम्, अनिरुद्धमोचनम्

Bāṇa’s War, the Jvara Episode, Hari–Hara Dialogue, and Aniruddha’s Release

तद्भस्मस्पर्शसंभूततापः कृष्णाङ्गसंगमात् अवाप बलदेवो ऽपि श्रमम् आमीलितेक्षणः

tadbhasmasparśasaṃbhūtatāpaḥ kṛṣṇāṅgasaṃgamāt avāpa baladevo 'pi śramam āmīlitekṣaṇaḥ

ومن حرارةٍ نشأت من ملامسة ذلك الرماد—وازدادت بقرب جسد كريشنا—أصيب حتى بلَديفا بالإعياء؛ فثقلت عيناه وأخذتا تنطبقان نصف انطباق.

तद्भस्मस्पर्शसंभूततापःthe heat produced by touching that ash
तद्भस्मस्पर्शसंभूततापः:
Karta (Subject/कर्ता)
TypeNoun
Rootतद् + भस्म + स्पर्श + संभूत + ताप (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन — बहुपद-तत्पुरुषः; ‘heat arisen from the touch of that ash’
कृष्णाङ्गसंगमात्from contact with Kṛṣṇa’s body
कृष्णाङ्गसंगमात्:
Apadana (Source/अपादान)
TypeNoun
Rootकृष्ण + अङ्ग + संगम (प्रातिपदिक)
Formपुंलिङ्ग, पञ्चमी (5th), एकवचन — तत्पुरुषः; ‘from contact with Kṛṣṇa’s body’
अवापobtained, experienced
अवाप:
Kriya (Action/क्रिया)
TypeVerb
Rootआप् (धातु)
Formलिट् (परोक्षभूत/Perfect), प्रथमपुरुष, एकवचन, परस्मैपद
बलदेवःBaladeva
बलदेवः:
Karta (Subject/कर्ता)
TypeNoun
Rootबलदेव (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन
अपिalso, even
अपि:
Sambandha (Particle/निपात)
TypeIndeclinable
Rootअपि (अव्यय)
Formअव्यय (निपात) — ‘also, even’
श्रमम्fatigue, exhaustion
श्रमम्:
Karma (Object/कर्म)
TypeNoun
Rootश्रम (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd), एकवचन
आमीलितेक्षणःwith eyes closed
आमीलितेक्षणः:
Karta (Subject/कर्ता)
TypeAdjective
Rootआ + मील् (धातु) + इत (कृदन्त) + ईक्षण (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन — बहुव्रीहि; कृदन्त-विशेषण; ‘one whose eyes are closed’ (āmīlita = past passive participle)

Sage Parāśara (narrating to Maitreya)

K
Krishna
B
Baladeva (Balarama)

FAQs

It highlights the Purana’s lila-style narration: even exalted figures move within embodied circumstances, making the episode vivid while the broader text still upholds Vishnu (as Krishna) as the supreme sovereign reality.

Through straightforward storytelling: Parāśara describes observable causes (contact with ashes, closeness to Krishna) to convey immediacy and dramatic texture, while the theological frame of Vishnu’s supremacy remains implicit in the larger Krishna-Charita.

Krishna’s presence is portrayed as powerfully affecting the scene, reinforcing that the avatāra’s lila unfolds in the world while the Vishnu Purana’s overarching doctrine continues to present Vishnu/Krishna as the ultimate ground of order and sovereignty.