बाणयुद्धम्, हरिहरसंवादः, ज्वरप्रकरणम्, अनिरुद्धमोचनम्
Bāṇa’s War, the Jvara Episode, Hari–Hara Dialogue, and Aniruddha’s Release
तद्भस्मस्पर्शसंभूततापः कृष्णाङ्गसंगमात् अवाप बलदेवो ऽपि श्रमम् आमीलितेक्षणः
tadbhasmasparśasaṃbhūtatāpaḥ kṛṣṇāṅgasaṃgamāt avāpa baladevo 'pi śramam āmīlitekṣaṇaḥ
ومن حرارةٍ نشأت من ملامسة ذلك الرماد—وازدادت بقرب جسد كريشنا—أصيب حتى بلَديفا بالإعياء؛ فثقلت عيناه وأخذتا تنطبقان نصف انطباق.
Sage Parāśara (narrating to Maitreya)
It highlights the Purana’s lila-style narration: even exalted figures move within embodied circumstances, making the episode vivid while the broader text still upholds Vishnu (as Krishna) as the supreme sovereign reality.
Through straightforward storytelling: Parāśara describes observable causes (contact with ashes, closeness to Krishna) to convey immediacy and dramatic texture, while the theological frame of Vishnu’s supremacy remains implicit in the larger Krishna-Charita.
Krishna’s presence is portrayed as powerfully affecting the scene, reinforcing that the avatāra’s lila unfolds in the world while the Vishnu Purana’s overarching doctrine continues to present Vishnu/Krishna as the ultimate ground of order and sovereignty.