Shiva’s Wedding Procession to Kailasa and the Marriage of Girija (Kali)
माल्यार्द्धमन्या चादाय करेणैकेन भामिनी केशपाशं द्वितीयेन शङ्कराभिमुखी गता
mālyārddhamanyā cādāya kareṇaikena bhāminī keśapāśaṃ dvitīyena śaṅkarābhimukhī gatā
وامرأةٌ أخرى متقدةُ الشوق، أخذت بيدٍ نصفَ إكليلٍ من الزهر، وبالأخرى أمسكت ضفيرتها، ومضت متجهةً نحو شانكَرا (شِيفا).
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Devotion is shown as immediate and bodily: the devotee does not wait for perfect preparation. Even incomplete adornment (half a garland) becomes acceptable when the heart is set on approaching the deity.
Episode narration (carita) within a larger account: it illustrates devotional culture and temple/visit dynamics rather than cosmology or genealogies.
The half-garland and the hand holding the hair-braid symbolize ‘unfinished worldly order’—outer propriety is suspended because inner orientation is fixed on Śiva. The phrase śaṅkarābhimukhī underscores the Purāṇic ideal that liberation-oriented life begins with turning one’s face (attention) toward the Lord.