Vamana Purana — Nara-Narayana's Tapas, Shloka 81
Nara-Narayana’s Tapas, Indra’s Temptation, and the Burning of Kama: The Origin of Ananga and the Shiva-Linga Episode
पुलस्त्य उवाच/ एवं संस्तूयमानस्तु तस्मिन् दारुवने हरः स्वरूपी ताविदं वाक्यमुवाच वदतां वरः
pulastya uvāca/ evaṃ saṃstūyamānastu tasmin dāruvane haraḥ svarūpī tāvidaṃ vākyamuvāca vadatāṃ varaḥ
قال بولاستيا: هكذا، إذ مُدِحَ، كان هارا في غابة داروفانا قد تجلّى في صورته الحقيقية، ثم نطق بهذه الكلمات؛ فهو أبلغ المتكلمين وأفضلهم.
{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
FAQs
Praise (stuti) is portrayed as efficacious: it elicits revelation and instruction from the deity. The ethical thrust is that devotion and right address precede true teaching.
This is narrative transmission (carita) within the Purāṇic dialogue framework (ṛṣi-to-ṛṣi). It is not sarga/pratisarga but supports dharma-teaching through episode.
‘Sva-rūpa’ signals a shift from concealment or testing to disclosure—common in Purāṇic episodes where the deity, once properly recognized, reveals the true nature of reality and dharma.