HomeVamana PuranaAdh. 58Shloka 29
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Shloka 29

Gajendra's DeliveranceGajendra’s Deliverance and the Protective Power of Remembrance (Japa)

नान्यं देवं महादेवात् पूजयामास केशवात् मथितामृतफेनाभं शङ्खचक्रगदाधरम्

nānyaṃ devaṃ mahādevāt pūjayāmāsa keśavāt mathitāmṛtaphenābhaṃ śaṅkhacakragadādharam

{"has_teaching": true, "teaching_type": "dharma", "core_concept": "bālya-kṛta-pāpa and karmic consequence; possibility of mokṣa through prescribed means", "teaching_summary": "Even sins committed in childhood can mature into painful births/conditions; the speaker seeks the specific upāya that releases one from the karmic bondage and its resultant ‘wretched womb’.", "vedantic_theme": "karma-bandha and anugraha through right instruction (upadeśa) leading toward liberation", "practical_application": "Acknowledge wrongdoing without self-justification; seek competent guidance (dvija/ācārya) for expiations, vows, and tirtha-based remedies appropriate to one’s condition."}

Narrator (Purāṇic speaker) to the listening sage/audience
Viṣṇu (Keśava)Śiva (Mahādeva)
Iconography of Viṣṇu (śaṅkha-cakra-gadā)Devotional exclusivity (ananya-bhakti)Śiva–Viṣṇu theological framing via ‘Mahādeva’Mythic allusion to Samudra-manthana

{ "primaryRasa": "shanta", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

Grammatically it states: ‘he worshipped no other god than Keśava.’ The insertion of ‘mahādeva’ can function as an honorific intensifier (‘the great Lord, Keśava’) or as a comparative sectarian marker depending on recension and context. In many Purāṇic passages, such phrasing ultimately supports a harmony model where the supreme is one, praised under different names.

It evokes the brilliant, milky-white radiance associated with amṛta arising from the cosmic churning. The image underscores purity, auspiciousness, and divine splendor, aligning Keśava’s form with the most luminous product of a foundational cosmogonic myth.

These are canonical identifiers of Viṣṇu’s protective sovereignty: the conch proclaims dharma, the discus signifies irresistible cosmic order, and the mace represents strength that subdues adharma. In a tīrtha-māhātmya setting, such iconography reinforces the Lord as the ultimate refuge for pilgrims and devotees.