कृष्णक्रीडाकरं स्थानं वाञ्छन्ति मनसा प्रिये । तेषां हृदि स्थितं पापं क्षालयेत्प्रेतनायकः
kṛṣṇakrīḍākaraṃ sthānaṃ vāñchanti manasā priye | teṣāṃ hṛdi sthitaṃ pāpaṃ kṣālayetpretanāyakaḥ
يا حبيبة، إنّ الذين يتشوّقون بقلوبهم إلى الموضع الذي هو ميدانُ لعبِ شري كريشنا—تُغسَلُ خطاياهم الراسخةُ في الفؤاد، حتى على يدِ يَما، سيّدِ الراحلين.
Sūta (deduced)
Tirtha: Kṛṣṇa-krīḍā-sthāna (within Dvārakā kṣetra)
Type: kshetra
Listener: ‘Priye’ (beloved) addressed—suggesting a conversational frame within the mahatmya
Scene: A devotee with closed eyes visualizing Kṛṣṇa playing in a coastal garden/courtyard of Dvārakā; within the heart-lotus, dark stains (pāpa) dissolve as Yama, instead of punishing, pours a cleansing stream—symbolizing transformed karmic fate through bhakti.
Even mental longing for Kṛṣṇa’s sacred play-land is credited with profound purification of inner sin.
Dvārakā/Kṛṣṇapurī, implied as Kṛṣṇa’s krīḍā-sthāna (līlā-ground).
No external rite; an interior practice is emphasized—manasa-vāñchā (heartfelt longing) for the sacred place.