Skanda Purana — Prabhasa Khanda, Shloka 33
अन्ये स्मरंति देवेशमनादिनिधनं विभुम् । केचिज्जपंति मुनयः स्तोत्राणि परया मुदा
anye smaraṃti deveśamanādinidhanaṃ vibhum | kecijjapaṃti munayaḥ stotrāṇi parayā mudā
فمنهم من يذكر ربَّ الآلهة، الكلّيَّ الحضور، الذي لا بدء له ولا نهاية؛ ومن الحكماء من يلهج بترديد التراتيل في الجَپا (japa) بفرحٍ أسمى.
Sūta (deduced from section context)
Tirtha: Dvārakā
Type: kshetra
Scene: Sages sit in meditation with rosaries, some softly chanting hymns; above them, the infinite Vāsudeva is envisioned as all-pervading light without beginning or end.
FAQs
Remembrance (smaraṇa) and mantra-like repetition of hymns (japa) are praised as joyful ways to abide in the timeless Lord.
Dvārakā is the contextual holy place, portrayed as a field where remembrance and hymn-chanting naturally arise.
Japa of stotras and continuous smaraṇa of the Lord.