अष्टम्यां च चतुर्दश्यां नवम्यां चावलोकिता । नराणां रुक्मिणी देवी सर्वान्कामा न्प्रयच्छति
aṣṭamyāṃ ca caturdaśyāṃ navamyāṃ cāvalokitā | narāṇāṃ rukmiṇī devī sarvānkāmā nprayacchati
في اليوم القمري الثامن والرابع عشر والتاسع، إذا ما نُظِرَت الإلهة رُكْمِنِيّ وتُمَّت رؤيتها بخشوع، منحت الناس جميع ما يتمنّونه من رغبات.
Narrator (Purāṇic narrator within Prabhāsa Khaṇḍa)
Tirtha: Rukmiṇī-darśana in Dvārakā
Type: kshetra
Scene: Devotees behold Goddess Rukmiṇī on specified tithis; she stands/sits with lotus, adorned as queen of Dvārakā, granting boons (varada-mudrā); moon-phase symbols subtly indicate Aṣṭamī/Navamī/Caturdaśī.
Darśana (reverent viewing) of the deity on sacred tithis is taught as a potent devotional act that bears tangible fruits.
Dvārakā’s Rukmiṇī-focused sacred setting (implied by the Dvārakā Māhātmya context).
Avalokana/darśana of Rukmiṇī on Aṣṭamī, Navamī, and Caturdaśī for fulfillment of desires.