सतालवाद्यसंयुक्तं संगीतं जागरं हरेः । यः कारयति देवस्य द्वादश्यां दानसंयुतम्
satālavādyasaṃyuktaṃ saṃgītaṃ jāgaraṃ hareḥ | yaḥ kārayati devasya dvādaśyāṃ dānasaṃyutam
مَن رتّب سَهَرَ هَري (Hari) بإنشادٍ تعبّديّ مصحوبٍ بإيقاع tāla والآلات، وأقامه في يوم دڤادشي (Dvādaśī) مقرونًا بالعطاء (dāna)، فذلك يُمدَح كأرفع العابدين.
Narrator within Dvārakā-māhātmya
Tirtha: Dvārakā Hari-jāgaraṇa on Dvādaśī
Type: kshetra
Scene: A temple courtyard at night on Dvādaśī: singers in a semicircle, mṛdaṅga and cymbals keeping tāla, lamps blazing, devotees awake in Hari’s praise; a donor offers gifts to the needy/brāhmaṇas.
Bhakti becomes complete when worship is communal and joyful (music and kīrtana) and also compassionate (dāna).
The Dvārakā region’s devotional culture is celebrated in this Dvārakā-māhātmya passage.
On Dvādaśī, conduct Hari-jāgaraṇa with devotional music (tāla-vādya-saṃgīta) and include acts of charity (dāna).