गीता नामसहस्रं तु स्तवराजो ह्यनुस्मृतिः । गजेन्द्रमोक्षणं चैव कृष्णस्यातीव वल्लभम्
gītā nāmasahasraṃ tu stavarājo hyanusmṛtiḥ | gajendramokṣaṇaṃ caiva kṛṣṇasyātīva vallabham
الگيتا، وناما-سَهَسْرَة (الأسماء الألف)، وستافاراجا (ملك التراتيل)، والأنوسمريتي (الذكر والتذكّر)، وقصة خلاص گَجِندرا—كلُّ ذلك محبوبٌ جدًّا لدى كريشنا.
Sūta (deduced)
Tirtha: Dvārakā
Type: kshetra
Listener: Pilgrims/devotees seeking what is ‘dear to Kṛṣṇa’
Scene: A devotional tableau showing five panels: (1) Arjuna receiving Gītā from Kṛṣṇa, (2) a devotee chanting Sahasranāma with mālā, (3) a singer offering Stavarāja before the deity, (4) a meditator in anusmṛti, (5) Gajendra raising a lotus as Viṣṇu arrives on Garuḍa—unified by Kṛṣṇa’s approving gaze.
Choosing beloved devotional texts and remembrance practices deepens intimacy with Kṛṣṇa and strengthens bhakti.
Dvārakā, within whose Māhātmya these preferred recitations are recommended.
Recitation of the Gītā, nāmasahasra, eminent stotras, remembrance, and reading/hearing Gajendra-mokṣaṇa.