कन्या च सुखसौभाग्य शीलाचारगुणान्विता । तथा स्यात्पुत्रिणी साध्वी पतिव्रतपरायणा
kanyā ca sukhasaubhāgya śīlācāraguṇānvitā | tathā syātputriṇī sādhvī pativrataparāyaṇā
وتغدو الفتاةُ موفورةَ السعادةِ وحُسنِ الطالع، متحلّيةً بالخلقِ الفاضلِ وحُسنِ السلوك؛ وتصبحُ أُمًّا لذرية، امرأةً صالحةً شريفة، مكرَّسةً لنذرِ الوفاء لزوجها.
Narrative voice (phala-oriented statement within the Māhātmya)
Listener: Ṛṣis / dvijāḥ
Scene: An auspicious bridal figure symbolizing saubhāgya—modest, composed, adorned simply—surrounded by emblems of virtue (lamp, water-pot, sacred thread context via dvijas).
Dharma in household life is portrayed as auspiciousness: virtue, right conduct, and family flourishing.
Indirectly the same shrine/ākhyāna context (Haravedī/Vṛṣabhadhvaja) whose worship/listening is said to yield these marital blessings.
No explicit rite here; it functions as a promised outcome (phala) connected to the chapter’s worship/listening practice.