षोडशर्चं महासूक्तं नारायणमयं परम् । तस्यापि पाठमात्रेण ब्रह्महत्या निव र्तते
ṣoḍaśarcaṃ mahāsūktaṃ nārāyaṇamayaṃ param | tasyāpi pāṭhamātreṇa brahmahatyā niva rtate
ذلك النشيد العظيم الأسمى المؤلَّف من ستة عشر بيتًا، المغمور كلّه بنور ناراياṇa؛ وبمجرد تلاوته يرتدّ حتى إثم «برهمَهَتْيَا» (قتل البرهمن) ويزول.
Narratorial voice within Tīrthamāhātmya (deductively: Sūta/Lomaharṣaṇa-like purāṇic narrator addressing listeners)
Type: kshetra
Scene: A brāhmaṇa recites a sixteen-verse hymn before a small shrine; syllables appear as luminous script forming a protective aura that repels a dark ‘brahma-hatyā’ shadow; Nārāyaṇa’s presence is suggested as all-pervading light.
Devotional recitation centered on Nārāyaṇa is presented as a powerful purifier capable of overcoming even the gravest karmic stains.
The verse occurs in a Tīrthamāhātmya setting (Nāgarakhaṇḍa), emphasizing tīrtha-linked worship, though this single verse itself highlights the hymn’s power rather than naming a site.
Pāṭha—reciting a sixteen-verse Mahāsūkta dedicated to Nārāyaṇa—as an act of purification/prāyaścitta.