स्मरदेहविनाशाय मूर्त्यष्टकमयात्मने । नमः स्वरूपदेहाय ह्यरूपबहुरू पिणे
smaradehavināśāya mūrtyaṣṭakamayātmane | namaḥ svarūpadehāya hyarūpabahurū piṇe
نَمَسْكارٌ لمن أفنى جسد سْمَرا (كاما)؛ لمن كان ذاتُه تجسّدَ الثمانيةِ الكونية؛ نَمَسْكارٌ لمن جسدُه هو الحقيقةُ الخالصة—وهو، وإن كان بلا صورة، يتجلّى في صور لا تُحصى.
Andhaka
Scene: Śiva as a radiant central figure: one half shown as serene yogin (nirākāra hinted by empty halo/space), the other half surrounded by eight cosmic emblems (earth, water, fire, air, ether, sun, moon, yajamāna/ātman) suggesting aṣṭamūrti; in the background, Kāma’s bow and body dissolve into ash from Śiva’s third-eye fire.
Śiva is beyond form, yet compassionately manifests in many forms to uphold cosmic order and guide devotees.
This verse functions as a Śiva-stuti within the Nāgarakhaṇḍa’s Tīrthamāhātmya; the snippet itself does not name a specific tīrtha, but supports the chapter’s sacred-place glorification through praise of the presiding deity.
No explicit ritual (snāna, dāna, japa, vrata) is stated here; it is a devotional salutation (namas) used as praise.