यतिभिश्च तथा ग्रामैर्वर्णग्रामैः पृथ ग्विधैः । ततं च विततं चैव घनं सुषिरमेव च
yatibhiśca tathā grāmairvarṇagrāmaiḥ pṛtha gvidhaiḥ | tataṃ ca vitataṃ caiva ghanaṃ suṣirameva ca
وبإيقاعاتٍ موزونة (yati) وبمقاماتٍ موسيقية (grāma)، وبتركيباتٍ شتّى من النغمات والمقاطع؛ ومع الآلات—الوترية (tata)، والمشدودة الجلد (vitata)، والصلبة الإيقاعية (ghana)، والهوائية (suṣira)—اكتملت تلاوتها الغنائية.
Sūta
Tirtha: Kedāradeva
Type: kshetra
Scene: A devotional performance with voice and a full ensemble: stringed instruments, drums, cymbals, and flutes; patterned rhythms and syllabic groupings animate the temple courtyard.
The Purāṇa sanctifies refined human culture—music and rhythm—when dedicated to God at a tīrtha.
The musical offering is situated in the Kedāra devotional setting of this chapter.
No explicit prescription; it elaborates the devotional offering as musically complete (notes, modes, and instruments).