दाता महीभृतां नाथो होता देवश्चतुर्मुखः । वरः पशुपतिः साक्षात्कन्या विश्वरणिस्तथा
dātā mahībhṛtāṃ nātho hotā devaścaturmukhaḥ | varaḥ paśupatiḥ sākṣātkanyā viśvaraṇistathā
كان المُعطي سيّدَ الجبال، وكان الكاهنُ المُقيمُ للشعائر الإلهَ ذا الوجوه الأربعة (براهما). وكان العريسُ هو باشوبتي بذاته، وكانت العروسُ هي فيشفَراني (بارفتي) كذلك.
Lomaharṣaṇa (Sūta), narrating
Scene: A formal enumeration tableau: Himavat enthroned as donor, Brahmā four-faced as priest with ladle and vedi, Śiva as Paśupati bridegroom, Pārvatī as Viśvaraṇī bride—each iconographically distinct and balanced.
Cosmic order is mirrored in dharmic rites: each role is honored, and the divine acts through structured ritual.
No specific pilgrimage site is named; the focus is the sacrality of the wedding rite itself.
It identifies the formal roles—giver (dātā), priest (hotā), groom (vara), and bride (kanyā)—central to a dharmic vivāha.