स्तोता त्वमेव दनुजेंद्ररिपो स्तुतिस्त्वं स्तुत्यस्त्वमेव सकलं हि भवानिहैकः । त्वत्तो न किंचिदपि भिन्नमवैमि विष्णो तृष्णां सदा कृणुहि मे भवजांभवारे
stotā tvameva danujeṃdraripo stutistvaṃ stutyastvameva sakalaṃ hi bhavānihaikaḥ | tvatto na kiṃcidapi bhinnamavaimi viṣṇo tṛṣṇāṃ sadā kṛṇuhi me bhavajāṃbhavāre
أنت وحدك العابد، يا عدوَّ سيّد الدانافا؛ وأنت الترنيمة ذاتها؛ وأنت وحدك المستحق للمدح، إذ الحقّ أن كل ما هنا هو أنت وحدك. لا أرى شيئاً منفصلاً عنك البتّة، يا فيشنو. وفي محيط الصيرورة الدنيوية، اجعل عطشي مولعاً بك على الدوام.
Agnibindu (the ascetic), praising Viṣṇu
Tirtha: Kāśī
Type: kshetra
Listener: Śaunaka and sages
Scene: Agnibindu stands before Viṣṇu, the hymn itself visualized as a stream merging into the Lord; behind the sage, a dark ocean symbolizes bhava-sāgara; a bright lotus-path leads from the ocean to Viṣṇu, signifying redirected thirst and liberation.
It teaches all-pervasive divinity and single-minded devotion—seeing nothing apart from Viṣṇu and transforming worldly craving into God-longing.
Not named in this verse; the Kāśī setting contextualizes the hymn that leads to a boon benefiting pilgrims and seekers at Pañcanada Hrada.
No formal rite; it is an inner discipline: sustaining tṛṣṇā (intense longing) toward the Lord amid saṃsāra.