सरस्वती रजो रूपा तमोरूपा कलिंदजा । सत्त्वरूपा च गंगात्र नयंति ब्रह्मनिर्गुणम्
sarasvatī rajo rūpā tamorūpā kaliṃdajā | sattvarūpā ca gaṃgātra nayaṃti brahmanirguṇam
هنا سَرَسْوَتِي ذاتُ طبيعةِ الرَّجَس (rajas)، وكالِندَجا (يَمُونَا) ذاتُ طبيعةِ التَّمَس (tamas)، والغانغا ذاتُ طبيعةِ السَّتْفَة (sattva)؛ وهنَّ معًا يقدنَ المرءَ إلى البراهمان منزَّهًا عن الصفات.
Skanda (deduced for Kāśīkhaṇḍa discourse)
Tirtha: Triveṇī-saṅgama (Prayāga)
Type: sangam
Scene: Three river-goddesses meet: Sarasvatī tinted with dynamic red (rajas), Yamunā with deep indigo/black (tamas), Gaṅgā with luminous white/gold (sattva); above them shines a formless, radiant expanse signifying nirguṇa Brahman.
The confluence is presented as a spiritual synthesis: transcending the guṇas through the sacred rivers leads toward nirguṇa realization.
Prayāga’s Triveṇī Saṅgama (Gaṅgā–Yamunā–Sarasvatī).
Implicitly, saṅgama-snāna (bathing at the confluence) as a means toward purification and liberation.