मीढुष्टमायोत्तरमीढुषे नमो नमो गणानां पतये गणाय । नमोस्तु ते जन्मजरातिगाय नमो विशाखाय सुशक्तिपाणये
mīḍhuṣṭamāyottaramīḍhuṣe namo namo gaṇānāṃ pataye gaṇāya | namostu te janmajarātigāya namo viśākhāya suśaktipāṇaye
خضوعٌ للأجودِ، للأجودِ على الإطلاق؛ خضوعٌ خضوعٌ لسيّدِ الغانات، بل هو عينُ جماعةِ الغانات. سلامٌ لك يا من تتجاوز الميلادَ والهرم؛ سلامٌ لفيشاخا، صاحبِ اليدِ الحاملةِ للرمحِ الجبّار.
Agastya
Scene: Skanda is hailed as the lord of divine hosts, supremely bountiful, ageless; he stands poised with the mighty spear, surrounded by gaṇas as a luminous commander.
The Lord is both compassionate and victorious, and remembrance of His immortal nature lifts devotees beyond fear of decay.
The Kāśī-khaṇḍa setting frames the hymn; the focus is on Skanda’s cosmic authority rather than a named tirtha.
No explicit ritual; the repeated “namo namo” indicates devotional repetition akin to japa.