Skanda Purana — Kashi Khanda, Shloka 4
हरिर्हरित्सु सर्वासु हरिर्हरिमरीचिषु । शिवामृगमृगेंद्रादि रूपः काननगो हरिः
harirharitsu sarvāsu harirharimarīciṣu | śivāmṛgamṛgeṃdrādi rūpaḥ kānanago hariḥ
كان هاري في كلّ خضرةٍ من الشجر؛ وكان هاري في أشعّة الشمس. وهاري، السائر في الغابة، يتجلّى بصورٍ كالغزال المبارك وسيّد الوحوش، وغيرها من الصور.
Narrator (Gaṇas’ account continues)
Tirtha: Madhuvana/Vraja-kānana
Type: kshetra
Listener: A brāhmaṇa (dvija)
Scene: A forest scene where every element subtly bears Hari’s signature: green leaves shimmer with divine presence; sunbeams appear as Hari’s rays; deer and a lion (lord of beasts) move through the grove as epiphanic forms of Hari.
FAQs
Meditative vision expands into sacred ecology—seeing Hari immanent in nature and living beings.
The forest-grove setting (Madhuvana) is implied as the sacred landscape where such vision arises.
No explicit ritual; it describes the fruit of dhyāna—perceiving the deity everywhere.