मृत्युंजयं समाराध्य सर्वज्ञं सर्वदं सताम् । कालकालं महाकालं कालकूटविषादिनम्
mṛtyuṃjayaṃ samārādhya sarvajñaṃ sarvadaṃ satām | kālakālaṃ mahākālaṃ kālakūṭaviṣādinam
وبعبادةِ مُرتيونجيايا (مُنتصرِ الموت)—العليمِ بكلِّ شيء، وواهبِ جميعِ العطايا للصالحين—أي كالاكاﻻ، مهاكاﻻ، الذي يلتهمُ حتى سُمَّ كالاكوṭا.
Agastya (as character in the narrative)
Tirtha: Mṛtyuñjaya / Mahāmṛtyuñjaya (Kāśī)
Type: temple
Listener: Ṛṣis/śaunaka-ādi (frame) or in-story devotees
Scene: A devotional tableau: Śiva as Mṛtyuñjaya—serene yet formidable—encircled by the aura of Time (kāla), holding triśūla and ḍamaru, with a blue-tinged throat recalling the Kālakūṭa episode; devotees offer bilva and water in Kāśī’s sacred ambience.
Śiva as Mṛtyuñjaya and Mahākāla is supreme over death and poison; devotion to him grants protection and grace.
Mahākāla is especially resonant with Kāśī’s Śaiva identity (and also Ujjain in wider tradition), here within the Kāśīkhaṇḍa frame.
Propitiation/worship (samārādhana) of Mṛtyuñjaya—implying japa, stotra, and pūjā as the means.