द्वितीयतृतीयावरणपूजाक्रमः | The Sequence of the Second and Third Enclosure Worship (Āvaraṇa-pūjā)
गजास्यं नैरृते पत्रे षण्मुखं वारुणे पुनः । ज्येष्ठां वायुदले गौरीमुत्तरे चंडमैश्वरे
gajāsyaṃ nairṛte patre ṣaṇmukhaṃ vāruṇe punaḥ | jyeṣṭhāṃ vāyudale gaurīmuttare caṃḍamaiśvare
في بتلة الجنوب الغربي (نَيْرِرِتَة) يُتأمَّل غجاسْيَة (غانيشا)؛ ثم في بتلة فَرُونا (جهة الغرب) يُتعبَّد لِشَنْمُخا (كارتيكَيّا). وفي بتلة فايُو (الشمال الغربي) تُقام جْيَيْشْثا؛ وفي بتلة الشمال تُقام غَوْرِي؛ وأما في بتلة إيشانا (الشمال الشرقي) فيُقام تشَنْدَمَهِيشْفَرا، الصورة الشديدة لمهيشفرا.
Suta Goswami
Tattva Level: pati
Shiva Form: Bhairava
Sthala Purana: Not a Jyotirliṅga episode; the verse is a nyāsa/āvaraṇa-style placement of deities in directional petals around the central Śiva-maṇḍala, typical of Vāyavīya ritual mapping.
Significance: Supports internal pilgrimage (antaryātrā): stabilizing the sādhaka’s maṇḍala by honoring Śiva’s family/gaṇa-śaktis in the quarters, removing obstacles and harmonizing energies before main worship.
Shakti Form: Gaurī
Role: nurturing
Offering: pushpa
The verse teaches a Shaiva dhyāna-krama (ordered contemplation) where Śiva’s worship is supported by placing attendant divine powers in specific directions/petals, expressing that the cosmos and its śaktis are harmonized around Pati (Śiva) for inner concentration and grace.
It aligns with Saguna upāsanā: while Śiva is the supreme Pati, the practitioner meditatively installs associated forms—Gaṇeśa, Skanda, Gaurī, and Caṇḍamaheśvara—around the sacred center (often the Liṅga/maṇḍala), making worship complete, protected, and ritually orthodox in Shaiva practice.
A petal/directional nyāsa and dhyāna: mentally place these deities in their respective quarters while worshipping Śiva, then proceed with mantra-japa (such as the Pañcākṣarī) and offerings; this stabilizes attention and invokes auspicious guardianship for the sādhana.