संह्रादस्य तु दैतेया निवातकवचाः कुले । उत्पन्ना मरुतस्तस्मिंस्तपसा भावितात्मनः
saṃhrādasya tu daiteyā nivātakavacāḥ kule | utpannā marutastasmiṃstapasā bhāvitātmanaḥ
ومن سَمْهْرَادَ حقًّا، في سلالة الدَّيْتْيَة، وُلِدَتْ طائفةُ نِفَاتَكَوَجَا؛ ومن ذلك الزاهدِ الذي صُقِلَ باطنُه بالتقشّف، خرجتْ الماروتُ إلى الوجود.
Suta Goswami
Tattva Level: pasha
Role: creative
It presents tapas (austerity) as a transformative power: when the inner self is “bhāvita” (refined and disciplined), higher forces and auspicious outcomes manifest—echoing the Shaiva idea that purification of the bound soul (pashu) weakens bonds (pāśa) and prepares it for Shiva’s grace (Pati).
Though the verse is genealogical, its emphasis on tapas aligns with Saguna Shiva worship where disciplined practice—often centered on the Linga with mantra and restraint—purifies the practitioner, making them fit for Shiva’s anugraha (grace) that leads beyond mere worldly power.
The takeaway is tapas: steady vow-based discipline with mantra-japa (especially “Om Namaḥ Śivāya”), meditation, and purity of conduct; optionally supported by Shaiva marks like Tripuṇḍra (bhasma) and Rudrākṣa as aids to remembrance and restraint.